Rhetorical Analyses of Literary WorksEdward P. J. Corbett Oxford University Press, 1969 - 272 oldal |
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xxvi. oldal
... style with rhetoric is historically warranted , for not only was style the main preoccupation of some of the Greek and Roman sophists and all of the seventeenth - century dis- ciples of Peter Ramus , but style ( elocutio ) was ...
... style with rhetoric is historically warranted , for not only was style the main preoccupation of some of the Greek and Roman sophists and all of the seventeenth - century dis- ciples of Peter Ramus , but style ( elocutio ) was ...
226. oldal
... style of the speaker on this occasion , not with the poet's style in general . The grammar , previously exam- ined simply as such , must be re - examined for its stylistic effect . The syntactical compounding of the opening part ...
... style of the speaker on this occasion , not with the poet's style in general . The grammar , previously exam- ined simply as such , must be re - examined for its stylistic effect . The syntactical compounding of the opening part ...
240. oldal
... Style in Nineteenth - Century American Fiction , " English Institute Essays , 1958 , ed . Harold C. Martin ( New York , 1959 ) , pp . 114-41 . and Richard M. Ohmann . " A Selective Bibliography on Style , " English Institute Essays ...
... Style in Nineteenth - Century American Fiction , " English Institute Essays , 1958 , ed . Harold C. Martin ( New York , 1959 ) , pp . 114-41 . and Richard M. Ohmann . " A Selective Bibliography on Style , " English Institute Essays ...
Tartalomjegyzék
A Rhetorical Analysis | 16 |
ARRANGEMENT | 53 |
Decline and Fall of the Roman Empire | 86 |
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actually analysis answer Apologia appear argument arrangement audience becomes beginning believe called cause chapter character Christian Church classical concern conclusion considered course death devices difference direct discourse discussion Dryden effect Emma emotional English Essays established example fact feel figures final follows force function given gives hate human important irony James Jane John kind language least less lines literary logic materials meaning mind Mistress Modern Language Association modes moral nature Newman's novel object opening paragraph particular passage perhaps person persuasion play poem poet poetic poetry Pope position present principle proof prose provides question readers reading reason reference Renaissance response rhetorical criticism says seems sense sentence speak speaker speech stanza statement structure Studies style suggest Swift things third thought tion truth turn values whole writing