Rhetorical Analyses of Literary WorksEdward P. J. Corbett Oxford University Press, 1969 - 272 oldal |
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xxi. oldal
... person and the more or less fictive person implied by the work.15 Wayne Booth has put the case in even stronger terms : In short , all of the clichés about the natural object being self - sufficient are at best half - truths . Though ...
... person and the more or less fictive person implied by the work.15 Wayne Booth has put the case in even stronger terms : In short , all of the clichés about the natural object being self - sufficient are at best half - truths . Though ...
188. oldal
... person narrative ; partly , presumably , because it would merge Strether's consciousness into the narrative , and not isolate it for the reader's inspection . For such isolation , a more expository method is needed : no confusion of ...
... person narrative ; partly , presumably , because it would merge Strether's consciousness into the narrative , and not isolate it for the reader's inspection . For such isolation , a more expository method is needed : no confusion of ...
222. oldal
... person as the viewer of the first line or not ? If the viewer is a real snow man he is not likely to be the listener ... persons . The word " same " appears in 11 and 12 , asserting the identity of the wind with that of 8 , and of this ...
... person as the viewer of the first line or not ? If the viewer is a real snow man he is not likely to be the listener ... persons . The word " same " appears in 11 and 12 , asserting the identity of the wind with that of 8 , and of this ...
Tartalomjegyzék
A Rhetorical Analysis | 16 |
ARRANGEMENT | 53 |
Decline and Fall of the Roman Empire | 86 |
Copyright | |
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actually analysis answer Apologia appear argument arrangement audience becomes beginning believe called cause chapter character Christian Church classical concern conclusion considered course death devices difference direct discourse discussion Dryden effect Emma emotional English Essays established example fact feel figures final follows force function given gives hate human important irony James Jane John kind language least less lines literary logic materials meaning mind Mistress Modern Language Association modes moral nature Newman's novel object opening paragraph particular passage perhaps person persuasion play poem poet poetic poetry Pope position present principle proof prose provides question readers reading reason reference Renaissance response rhetorical criticism says seems sense sentence speak speaker speech stanza statement structure Studies style suggest Swift things third thought tion truth turn values whole writing