Rhetorical Analyses of Literary WorksEdward P. J. Corbett Oxford University Press, 1969 - 272 oldal |
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1 - 3 találat összesen 44 találatból.
11. oldal
... nature of love may differ from the nature of hate , the two as causes produce the same fatal effect . It is precisely because these two produce the same effect - his death and the consequent frustration of her love or lessening of her ...
... nature of love may differ from the nature of hate , the two as causes produce the same fatal effect . It is precisely because these two produce the same effect - his death and the consequent frustration of her love or lessening of her ...
48. oldal
... nature ( " the numbers came " ) , not vanity , since he wrote as a child , when he was not yet “ a fool to fame ” ; and the natural capacity was realized in accordance with duty , piety , and friendship ; hence his writing is in origin ...
... nature ( " the numbers came " ) , not vanity , since he wrote as a child , when he was not yet “ a fool to fame ” ; and the natural capacity was realized in accordance with duty , piety , and friendship ; hence his writing is in origin ...
53. oldal
... nature ( " the numbers came " ) , not vanity , since he wrote as a child , when he was not yet " a fool to fame " ; and the natural capacity was realized in accordance with duty , piety , and friendship ; hence his writing is in origin ...
... nature ( " the numbers came " ) , not vanity , since he wrote as a child , when he was not yet " a fool to fame " ; and the natural capacity was realized in accordance with duty , piety , and friendship ; hence his writing is in origin ...
Tartalomjegyzék
A Rhetorical Analysis | 16 |
ARRANGEMENT | 53 |
Decline and Fall of the Roman Empire | 86 |
Copyright | |
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actually analysis answer Apologia appear argument arrangement audience becomes beginning believe called cause chapter character Christian Church classical concern conclusion considered course death devices difference direct discourse discussion Dryden effect Emma emotional English Essays established example fact feel figures final follows force function given gives hate human important irony James Jane John kind language least less lines literary logic materials meaning mind Mistress Modern Language Association modes moral nature Newman's novel object opening paragraph particular passage perhaps person persuasion play poem poet poetic poetry Pope position present principle proof prose provides question readers reading reason reference Renaissance response rhetorical criticism says seems sense sentence speak speaker speech stanza statement structure Studies style suggest Swift things third thought tion truth turn values whole writing