Rhetorical Analyses of Literary WorksEdward P. J. Corbett Oxford University Press, 1969 - 272 oldal |
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1 - 3 találat összesen 32 találatból.
xiii. oldal
... mode of criticism and other modes . But perhaps I should first try to account for the con- fluence of rhetoric and poetics that later developed , with the result that either the two arts became almost indistinguishable or one of them ...
... mode of criticism and other modes . But perhaps I should first try to account for the con- fluence of rhetoric and poetics that later developed , with the result that either the two arts became almost indistinguishable or one of them ...
xvii. oldal
... mode of criticism . And having set it in a context with other modes of criticism , I can now go on to sharpen the picture of its modus operandi . It can be said , first of all , that rhetorical criticism is a mode of analysis that ...
... mode of criticism . And having set it in a context with other modes of criticism , I can now go on to sharpen the picture of its modus operandi . It can be said , first of all , that rhetorical criticism is a mode of analysis that ...
xviii. oldal
... modes of criticism as biographical criticism , historico - sociological criticism , and psychological criticism ? And how does it avoid falling into what W. K. Wimsatt calls the Intentional Fallacy and the Affective Fallacy ? These are ...
... modes of criticism as biographical criticism , historico - sociological criticism , and psychological criticism ? And how does it avoid falling into what W. K. Wimsatt calls the Intentional Fallacy and the Affective Fallacy ? These are ...
Tartalomjegyzék
A Rhetorical Analysis | 16 |
ARRANGEMENT | 53 |
Decline and Fall of the Roman Empire | 86 |
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actually analysis answer Apologia appear argument arrangement audience becomes beginning believe called cause chapter character Christian Church classical concern conclusion considered course death devices difference direct discourse discussion Dryden effect Emma emotional English Essays established example fact feel figures final follows force function given gives hate human important irony James Jane John kind language least less lines literary logic materials meaning mind Mistress Modern Language Association modes moral nature Newman's novel object opening paragraph particular passage perhaps person persuasion play poem poet poetic poetry Pope position present principle proof prose provides question readers reading reason reference Renaissance response rhetorical criticism says seems sense sentence speak speaker speech stanza statement structure Studies style suggest Swift things third thought tion truth turn values whole writing