Rhetorical Analyses of Literary WorksEdward P. J. Corbett Oxford University Press, 1969 - 272 oldal |
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11. oldal
... beginning and ending . " 12 The epanalepses of the first two 12 Abraham Fraunce , The Arcadian Rhetorike ( London ... beginning , middle , or end of some unit that may prop- erly be thought to have a beginning , middle , or end - be that ...
... beginning and ending . " 12 The epanalepses of the first two 12 Abraham Fraunce , The Arcadian Rhetorike ( London ... beginning , middle , or end of some unit that may prop- erly be thought to have a beginning , middle , or end - be that ...
60. oldal
... beginning is , logically speaking , no argument at all , it is one of the most powerful " arguments " for Newman's sincerity . In describing the angels and the undeniable religious intuitions of his childhood and youth , Newman provides ...
... beginning is , logically speaking , no argument at all , it is one of the most powerful " arguments " for Newman's sincerity . In describing the angels and the undeniable religious intuitions of his childhood and youth , Newman provides ...
202. oldal
... beginning of Lord Jim ( 1900 ) : " He was an inch , per- haps two , under six feet . . . " : the heroic proportion is for ever missed , by an inch , perhaps two ; which is perhaps too much , to begin with . It is not for me to assess ...
... beginning of Lord Jim ( 1900 ) : " He was an inch , per- haps two , under six feet . . . " : the heroic proportion is for ever missed , by an inch , perhaps two ; which is perhaps too much , to begin with . It is not for me to assess ...
Tartalomjegyzék
A Rhetorical Analysis | 16 |
ARRANGEMENT | 53 |
Decline and Fall of the Roman Empire | 86 |
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actually analysis answer Apologia appear argument arrangement audience becomes beginning believe called cause chapter character Christian Church classical concern conclusion considered course death devices difference direct discourse discussion Dryden effect Emma emotional English Essays established example fact feel figures final follows force function given gives hate human important irony James Jane John kind language least less lines literary logic materials meaning mind Mistress Modern Language Association modes moral nature Newman's novel object opening paragraph particular passage perhaps person persuasion play poem poet poetic poetry Pope position present principle proof prose provides question readers reading reason reference Renaissance response rhetorical criticism says seems sense sentence speak speaker speech stanza statement structure Studies style suggest Swift things third thought tion truth turn values whole writing