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THE THRUSH'S NEST.

WITHIN a thick and spreading hawthorn bush,
That overhung a mole-hill large and round,
I heard from morn to morn a merry thrush
Sing hymns of rapture, while I drank the sound
With joy; and oft, an unintruding guest,

I watch'd her secret toils from day to day,
How true she warp'd the moss to form her nest,
And modell'd it within with wool and clay.
And by-and-by, like heath-bells gilt with dew,
There lay her shining eggs as bright as flowers,
Ink-spotted over, shells of green and blue;
And there I witness'd, in the summer hours,
A brood of nature's minstrels chirp and fly,
Glad as the sunshine and the laughing sky.
John Clare: 1793-1864.

Clare's parents were Northamptonshire peasants, his father crippled, and a pauper. The poet was entirely self-educated. From the age of seven his early years were spent in farm labour, and the highest position he ever attained was that of a peasantfarmer. His verse is simple and sweet, usually descriptive of rural life and scenery, but sometimes purely imaginative. 1837, a kind of constitutional melancholy, from which he had always suffered, developed into lunacy, and the rest of his life was spent in the confinement of an asylum.

In

THE CUCKOO.

HAIL, beauteous stranger of the grove!
Thou messenger of Spring!

Now Heaven repairs thy rural seat,
And woods thy welcome sing.

What time the daisy decks the green,
Thy certain1 voice we hear;

Hast thou a star to guide thy path,
Or mark the rolling year?

1 certain-sure or punctual.

Delightful visitant! with thee
I hail the time of flowers,

And hear the sound of music sweet
From birds among the bowers.

The schoolboy, wandering through the wood
To pull the primrose gay,

Starts, the new voice of Spring to hear,
And imitates thy lay.

What time the pea puts on the bloom
Thou fliest thy vocal vale,"

An annual guest in other lands,
Another Spring to hail.

Sweet bird thy bower is ever green,
Thy sky is ever clear;

Thou hast no sorrow in thy song,
No Winter in thy year!

Oh, could I fly, I'd fly with thee !
We'd make, with joyful wing,
Our annual visit o'er the globe,
Companions of the Spring.

John Logan: 1748-1788.

He was

Logan was the son of a farmer of Mid-Lothian. educated for the Church, and was one of the ministers of South Leith from 1773 to 1786. In his later years he fell into dissipated habits, and died in London at the age of forty.

In 1770, Logan edited the poems of Michael Bruce, his college friend, who died in 1767. With great want of principle Logan added other verses to the collection, and so manipulated it as to make all the best appear his own. This circumstance has led to the above poem being sometimes attributed to Bruce, but recent research has shown that Logan is undoubtedly the author.

1 Starts-This line originally stood Starts, thy curious voice to hear. The abruptness of the word Starts well conveys the intended idea. 2 vocal vale-singing-place.

TO THE CUCKOO.

BLITHE new-comer! I have heard,
I hear thee, and rejoice;
O Cuckoo shall I call thee bird,
Or but a wandering voice?

While I am lying on the grass,

Thy loud note smites my ear!
From hill to hill it seems to pass,
At once far off and near !

I hear thee babbling to the vale
Of sunshine and of flowers;
And unto me thou bring'st a tale
Of visionary hours.

Thrice welcome, darling of the Spring!
Even yet thou art to me

No bird, but an invisible thing,

A voice, a mystery.

The same whom in my school-boy days
I listen'd to; that cry

Which made me look a thousand ways
In bush, and tree, and sky.

To seek thee did I often rove

Through woods and on the green;
And thou wert still a hope, a love;
Still long'd for, never seen!

And I can listen to thee yet!
Can lie upon the plain

And listen, till I do beget

That golden time again.

O blessed bird! the earth we pace

Again appears to be

An unsubstantial, fairy place,

That is fit home for thee!

William Wordsworth: 1770-1850.

(See page 52.)

THE SKYLARK.

BIRD of the wilderness,

Blithesome and cumberless,

Sweet be thy matin o'er moorland and lea!
Emblem of happiness,

Blest is thy dwelling-place,

Oh to abide in the desert with thee !

Wild is thy lay and loud,
Far in the downy cloud,

Love gives it energy, love gave it birth.
Where, on thy dewy wing,

Where art thou journeying?

Thy lay is in heaven, thy love is on earth.
O'er fell and fountain sheen,

O'er moor and mountain green,

O'er the red streamer that heralds the day,
Over the cloudlet dim,

Over the rainbow's rim,
Musical cherub, soar, singing away!

Then, when the gloaming comes,
Low in the heather blooms,

Sweet will thy welcome and bed of love be,
Emblem of happiness,

Blest is thy dwelling-place

Oh to abide in the desert with thee !

James Hogg: 1770-1835.

James Hogg, 'the Ettrick shepherd,' was a native of Selkirkshire. He was descended from a family of shepherds, and spent his earliest years in tending cows and sheep. He received little instruction, but was a great reader. His first poems were published in 1831. With the exception of two or three unsuccessful attempts at sheep-farming, Hogg spent the rest of his life in literary labour. His work in poetry is of very high order.

In the above verses Hogg seems to have written the buoyancy and freedom of the skylark's flight, as, in the following, Shelley has written the music of its song.

THE SKYLARK.

HAIL to thee, blithe spirit!
Bird thou never wert,
That from heaven, or near it,
Pourest thy full heart

In profuse strains of unpremeditated art.

Higher still and higher,

From the earth thou springest

Like a cloud of fire;

The blue deep thou wingest,

And singing still dost soar, and soaring ever singest. In the golden lightning

Of the sunken sun,

O'er which clouds are bright'ning,
Thou dost float and run,

Like an unbodied joy whose race is just begun.

The pale purple even

Melts around thy flight;

Like a star of heaven

In the broad daylight,

Thou art unseen, but yet I hear thy shrill delight.

Keen as are the arrows

Of that silver sphere,1

Whose intense lamp narrows

In the white dawn clear,

Until we hardly see, we feel that it is there.

All the earth and air
With thy voice is loud,
As, when night is bare,
From one lonely cloud

[flowed.

The moon rains out her beams, and heaven is over

What thou art, we know not;

What is most like thee?

From rainbow clouds there flow not

Drops so bright to see,

As from thy presence showers a rain of melody.

1 See notes on Hymn to Diana, page 78.

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