W. M. Salisbury, Esq., Pittsfield, Mass.. ...Joseph E Stevens, Esq., Tuxedo Park, N. Y., ..Henry F. Godfrey, Esq., Roslyn, L. I. Misses Scofield, Tuxedo Park, N. Y. ..Pierre Lorillard, Tuxedo, N. Y. G. B. Pegran, Esq., "Fieldston," New York.. .J. M. Richardson, Esq., "Fieldston," New York. Bishop Charles S. Burch, "Fieldston," New York...459 .Dwight J. Baum, Owner, "Fieldston," New York...456 Frederick R. A. Camp, Esq., "Fieldston," New York.458 Charles E. Niles, Esq., "Fieldston," New York.. Nicholas Kelley, Esq., "Fieldston," New York... Clayton S. Cooper, Esq., "Fieldston," New York. Dr. H. H. Janeway, "Fieldston," New York... .461 Two New York City Residences. W. Goodby Loew, Residence, N. Y. City. New York City House, 53 East 61st St.. St. Louis Exposition-"The Festival Hall". .272-276 HOTELS. Hotel Biltmore (Plans and Photographs)-Warren & Wetmore. Nela Park Buildings, Cleveland, O. (Plans, Photographs, Details)-Wallis & Goodville. SCHOLASTIC ARCHITECTURE. .339-346 Graduate College of Princeton University................. R. A. Cram, Mann & MacNeille. THEATRES. Children's Theatre (Interior), New York City....V. Hugo Koehler. Competitive Drawing for N. Y. County Court House. Walker & Gillette. Gothic.. Renaissance ORGANS, CHURCH PERGOLAS.. .8, 9, 11, Feb. Cover, 102, 103, 116, 359 .31, 32 113 ...184, 231, facing 277, 286, 287, 314, 353 .289, 347 178, facing 389, 414-424, 468, 508-518 .26, 416 17, 397 .58, 99-100 .317, 318 415 .24, 246-262, 317, 321, 324, 325 .3-7, 17, 18, facing 101, Detail facing 116, 115-121, 171, 273 .72, 73 TAPESTRIES. TOWERS... TRACERY, GOTHIC (See Decorative Styles, Gothic). TRACERY, ROMANESQUE.. URNS (See Finials). VAULTING (See Ceilings, Vaulted). WINDOWS: Bay and Oriel. Stained Glass. .20-21, 26, 27, 35, 37, 48, 76, 125, 129, 131, 195-197, 231 American .11, 16, 186, 188, 192-193, 316 .14, 15, 17, 18, 107, 113, 115, 116, 120, 121, 359 Enameled PROSPECT OF THE GROUP FROM THE WEST-THE GRADUATE COLLEGE OF PRINCETON UNIVERSITY, PRINCETON, N. J. Cram, Goodhue and Ferguson, Architects (The Boston Office). ✓ A STVDY IN SCHOLASTIC ARCHITECTVRE ✓Cram Goodhue & Ferguson Architects ERTAIN seem more By C.Matlack Price Photographs by Julian Buckly. in this country would to have been favored than others in their architectural possessions. It is an unfortunate circumstance that most of our Universities, however, have been, architecturally speaking, of gradual growth. This has occasioned a distinctly distressing diversity in architectural styles in the several buildings, and has caused many colleges to present rather an exemplar of passing phases of style than any semblance of a consistent theme or a pre-studied general group plan. Some are fortunate in possessing a good general arrangement, but unfortunate in the indiscriminate juxtaposition of Gothic, Byzantine, Classic and other conceptions of varied derivation; while others, with grievously scattered buildings, possess certain units or groups of marked architectural merit and propriety. At Bryn Mawr and at the University of Pennsylvania, and at Washington University in Illinois there are some splendid studies in English Collegiate archi PLAN OF THE GRADUATE COLLEGE OF PRINCETON UNIVERSITY, PRINCETON, N. J. Cram, Goodhue & Ferguson, Architects. (The Boston Office.) tecture by Cope and Stewardson and by Day Brothers and Klauder. Pre-eminently there is the group of the Military Academy at West Point, by Cram, Goodhue & Ferguson, in which, however, it was intended to express certain rugged fortress-like qualities in addition to certain less marked collegiate qualities. After West Point there is the College of the City of New York, by the late George B. Post, a group planned and executed, like West Point, at one time. Both have this advantage, with all its attendant merits, though the harsh contrast of materials in the New York group has been reckoned unfortunate. Princeton, despite its age, has been especially fortunate in its new buildings, for the reason that all are unusually pleasing renderings of a more or less native conception of the collegiate architecture-part Gothic and part Renais sance-which constitutes the revered charm of Oxford and Cambridge in England. And, unlike some other universities, the older buildings at Princeton, even when they are banal, are at least inoffensive. They almost seem to serve as a background for the newer buildings, and their very lack of character prevents them from unpleasing conflict. Perhaps a discussion of the group of buildings constituting Princeton University, however, may not seem entirely germane to the consideration of a group so isolated, or so sufficient to itself as the newly completed Graduate College, the work of the Boston office of Cram, Goodhue and Ferguson. Despite this, it is important to appreciate the fact that, since the newer buildings at Princeton are the buildings which give it what might be called its architectural stamp, the general conformity of the Graduate |