A Historical Guide to Edgar Allan PoeJ. Gerald Kennedy Oxford University Press, 2001. jan. 4. - 256 oldal Edgar Allan Poe (1809-1849), son of itinerant actors, holds a secure place in the firmament of history as America's first master of suspense. Displaying scant interest in native scenes or materials, Edgar Allan Poe seems the most un-American of American writers during the era of literary nationalism; yet he was at the same time a pragmatic magazinist, fully engaged in popular culture and intensely concerned with the "republic of letters" in the United States. This Historical Guide contains an introduction that considers the tensions between Poe's "otherworldly" settings and his historically marked representations of violence, as well as a capsule biography situating Poe in his historical context. The subsequent essays in this book cover such topics as Poe and the American Publishing Industry, Poe's Sensationalism, his relationships to gender constructions, and Poe and American Privacy. The volume also includes a bibliographic essay, a chronology of Poe's life, a bibliography, illustrations, and an index. |
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Al Aaraaf American antebellum argues Arthur Gordon Pym artistic Auguste Dupin authors Baltimore become Berenice body Broadway Journal capitalist Clemm commercial writer critical crossings David Dayan death domestic Dupin early economic Edgar Allan Poe Edgar Poe edition editor essays Eureka Face of Edgar female Folio Club gender Gold-Bug Gothic Graham's Magazine Halttunen Helen Whitman Hop-Frog House of Usher ideal identity issue John Allan Johns Hopkins later Library of America Ligeia Literature magazinist male manhood mind Morella murder Mystery Narrative of Arthur narrator's newspaper nineteenth-century Philadelphia Poe Poe Poe Poe's fiction Poe's literary Poe's narrator Poe's sensationalism poem poetry political popular premature burial publishing industry Purloined Letter Rachman readers Richmond Romance Rosenheim Rue Morgue Sarah Elmira Royster satire sensations Silverman slave slavery social Southern Literary Messenger story tale texts Thomas tion Virginia Whig William woman women writing York
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7. oldal - Have we not a perpetual inclination, in the teeth of our best judgment, to violate that which is Law, merely because we understand it to be such? This spirit of perverseness, I say, came to my final overthrow. It was this unfathomable longing of the soul to vex itself — to offer violence to its own nature — to do wrong for the wrong's sake only — that urged me to continue and finally to consummate the injury I had inflicted upon the unoffending brute.