Shakespeare's SoliloquiesRoutledge, 2013. ápr. 15. - 224 oldal First published in 1987. |
Részletek a könyvből
1 - 5 találat összesen 68 találatból.
vi. oldal
... TRAGEDIES ROMEO AND JULIET Romeo's nocturnal soliloquy in the orchard (Hit. 1—25) juliet longs for her wedding night (III.ii.1~31) juliet resolves to drink the potion (IV.iii.I2—58) Romeo enters the tomb ( V.iii.7?120) JULIUS CAESAR ...
... TRAGEDIES ROMEO AND JULIET Romeo's nocturnal soliloquy in the orchard (Hit. 1—25) juliet longs for her wedding night (III.ii.1~31) juliet resolves to drink the potion (IV.iii.I2—58) Romeo enters the tomb ( V.iii.7?120) JULIUS CAESAR ...
2. oldal
... tragedy. We would find ourselves in a predicament if we wanted to speak in the same way ofthe typical soliloquy in Shakespeare, for there are not only the great reflections of the tragic heroes, Hamlet's 'TO be or not to be' (Illi) and ...
... tragedy. We would find ourselves in a predicament if we wanted to speak in the same way ofthe typical soliloquy in Shakespeare, for there are not only the great reflections of the tragic heroes, Hamlet's 'TO be or not to be' (Illi) and ...
3. oldal
... tragedy and euphuistic comedy, popular spectacle, pageant and masque — all these had given rise to a theatre which accommodated allegorical representation and realism, the use of rhetoric and colloquial speech. Dramatists employed the ...
... tragedy and euphuistic comedy, popular spectacle, pageant and masque — all these had given rise to a theatre which accommodated allegorical representation and realism, the use of rhetoric and colloquial speech. Dramatists employed the ...
6. oldal
... tragedy'0 — Shakespeare's soliloquies became an organic part of his dramatic compositions, and this process began early on. It becomes apparent also that the instinctive dramatist in Shakespeare sensed early on the latent possibilities ...
... tragedy'0 — Shakespeare's soliloquies became an organic part of his dramatic compositions, and this process began early on. It becomes apparent also that the instinctive dramatist in Shakespeare sensed early on the latent possibilities ...
9. oldal
... tragedies it becomes apparent in the soliloquies more than anywhere else that, concurrent to the sequence of outer events, there always runs a sequence of inner events, the one mirroring the other. It is with this in mind that ...
... tragedies it becomes apparent in the soliloquies more than anywhere else that, concurrent to the sequence of outer events, there always runs a sequence of inner events, the one mirroring the other. It is with this in mind that ...
Tartalomjegyzék
1 | |
13 | |
3 SOLILOQUIES FROM THE COMEDIES AND ROMANCES | 45 |
4 SOLILOQUIES FROM THE TRAGEDIES | 88 |
5 CONCLUSION | 179 |
NOTES | 193 |
SELECT BIBLIOGRAPHY | 210 |
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abstract action actor already Angelo apostrophe appearance audience audience’s awareness becomes beginning Brutus Caesar character Clemen comedy comic contrast conventions convey Cymbeline dagger death deed Desdemona dialogue difficult dramatic dramatists effect Elizabethan emotions epithalamium expression eyes Falstaff father feeling figure final finally find first act first soliloquy follow Gentlemen of Verona gestures give Hamlet hath Helena Henry IV honour Iachimo imagery imagination Imogen’s impression influence Isabella Juliet julius Caesar King Lear Lady Macbeth language Launce Lear’s lines London loquy Lucius magic Malvolio mind monologue murder nature night Othello particular passage personification powers preceding presented Prospero questions reflection rhetorical Richard Richard III Romeo Romeo and juliet scene sense sentence sequence Shakespeare Survey Shakespeare’s plays Shakespeare’s soliloquies significance situation sleep soli speak speaker specific speech spoken stage style thee There’s thou thoughts tragedies tragic Twelfth Night Tybalt vision words