Shakespeare's SoliloquiesRoutledge, 2013. ápr. 15. - 224 oldal First published in 1987. |
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1 - 5 találat összesen 38 találatból.
. oldal
... Styles II The Shakespeare Inset Shakespeare Shakespeare's Dramatic Structures Brennan V Focus on Macbeth Brown Shakespeare's Soliloquies Shakespeare's Dramatic Art X A Commentary on Shakespeare's Richard III The Development of ...
... Styles II The Shakespeare Inset Shakespeare Shakespeare's Dramatic Structures Brennan V Focus on Macbeth Brown Shakespeare's Soliloquies Shakespeare's Dramatic Art X A Commentary on Shakespeare's Richard III The Development of ...
2. oldal
... style and structure, they also serve quite different purposes. Even if we were to postulate several basic types of soliloquy in Shakespeare, following the functional patterns found in drama before his time v as has already been done1 ...
... style and structure, they also serve quite different purposes. Even if we were to postulate several basic types of soliloquy in Shakespeare, following the functional patterns found in drama before his time v as has already been done1 ...
3. oldal
... styles. Mystery play and morality play, Senecan tragedy and euphuistic comedy, popular spectacle, pageant and masque — all these had given rise to a theatre which accommodated allegorical representation and realism, the use of rhetoric ...
... styles. Mystery play and morality play, Senecan tragedy and euphuistic comedy, popular spectacle, pageant and masque — all these had given rise to a theatre which accommodated allegorical representation and realism, the use of rhetoric ...
4. oldal
... style and language of the preShakespearean drama, and which can still be discerned in Shakespeare's early plays. The soliloquy of pre-Shakespearean drama was regularly addressed directly to the audience, forging a link between them and ...
... style and language of the preShakespearean drama, and which can still be discerned in Shakespeare's early plays. The soliloquy of pre-Shakespearean drama was regularly addressed directly to the audience, forging a link between them and ...
8. oldal
... styles and eras, such as we are used to seeing on the stage today, help to make us more sympathetic towards the idiosyncrasies of Elizabethan drama than our forefathers were a hundred years ago. What concerns us is not the convention ...
... styles and eras, such as we are used to seeing on the stage today, help to make us more sympathetic towards the idiosyncrasies of Elizabethan drama than our forefathers were a hundred years ago. What concerns us is not the convention ...
Tartalomjegyzék
1 | |
13 | |
3 SOLILOQUIES FROM THE COMEDIES AND ROMANCES | 45 |
4 SOLILOQUIES FROM THE TRAGEDIES | 88 |
5 CONCLUSION | 179 |
NOTES | 193 |
SELECT BIBLIOGRAPHY | 210 |
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abstract action actor already Angelo apostrophe appearance audience audience’s awareness becomes beginning Brutus Caesar character Clemen comedy comic contrast conventions convey Cymbeline dagger death deed Desdemona dialogue difficult dramatic dramatists effect Elizabethan emotions epithalamium expression eyes Falstaff father feeling figure final finally find first act first soliloquy follow Gentlemen of Verona gestures give Hamlet hath Helena Henry IV honour Iachimo imagery imagination Imogen’s impression influence Isabella Juliet julius Caesar King Lear Lady Macbeth language Launce Lear’s lines London loquy Lucius magic Malvolio mind monologue murder nature night Othello particular passage personification powers preceding presented Prospero questions reflection rhetorical Richard Richard III Romeo Romeo and juliet scene sense sentence sequence Shakespeare Survey Shakespeare’s plays Shakespeare’s soliloquies significance situation sleep soli speak speaker specific speech spoken stage style thee There’s thou thoughts tragedies tragic Twelfth Night Tybalt vision words