Beside the public way an oval fount The army halted, and their hollow casques And oaken trunks of knotted girth unwrought. 'Yon marble fountain, by Oileus placed, To thirsty lips in living water flows; For weary steps he framed this cool retreat; A grateful offering here to rural peace, His dinted shield and helmet he resigned. O passenger! if born to noble deeds, Thou would'st obtain perpetual grace from Jove, Devote thy vigour to heroic toils, And thy decline to hospitable cares. Rest here; then seek Oileus in his vale.' From the 'Athenais,' which is a continuation of the same classic story and landscape, we select the following exquisite description of a night scene:— Silver Phoebe spreads A light, reposing on the quiet lake, The gliding swan, behind him leaves a trail In luminous vibration. Lo! an isle Swells on the surface. Marble structures there New gloss of beauty To deck the shore. borrow from the moon Now silence gently yields WILLIAM SHENSTONE was born at Leasowes, in the parish of HalesOwen, Shropshire, in November, 1714. He was taught to read at what is termed a dame's school, and his venerable preceptress has been immortalized by his poem The Schoolmistress. After suitable preparation he was sent to Pembroke College, Oxford, where he remained four years, but does not appear to have distinguished himself. In 1745, by the death of his parents and an elder brother, the paternal estate came into his possession; and he began from this time, as Dr. Johnson characteristically remarks, 'to point his prospects, to diversify his surface, to entangle his walks, and to wind his waters; which he did with such judgment and fancy, as made his little do main the envy of the great and the admiration of the skillful; a place to be visited by travellers, and copied by designers.' These great expenditures upon the grounds of Shenstone's estate were not, however, judiciously made; for the property altogether was not worth over three hundred pounds a year; and by devoting so much of his means to external embellishments, he was compelled to live in a dilapidated house, not fit, as he himself expresses it, to receive 'polite friends.' An unfortunate attachment to a young lady, and disappointed ambition-for he aimed at political as well as poetical celebrity-conspired, with his passion for gardening and improvement, to fix him permanently in his solitary situation. He became querulous and dejected, pined at the unequal gifts of fortune, and even contemplated, with a gloomy joy, the complaint of Swift, that he would be 'forced to die in a rage, like a poisoned rat in a hole.' Yet Shenstone was essentially kind and benevolent, and he must at times have experienced exquisite pleasure in his romantic retreat, in which every year would give fresh beauty, and develope more distinctly the creations of his taste and labor.' 'The works of a person that builds,' he says, 'begin immediately to decay, while those of him who plants begin directly to improve." This advantage he possessed, with the additional charm of a love of literature; but he sighed for more than inward peace and satisfaction. He built his happiness on the applause of others, and died in solitude, a votary of the world. His death occurred at Leasowes, on the eleventh of February, 1763. The works of Shenstone were collected and published after his death by Dodsley. They formed three volumes, the first of which contained his poems, the second, his prose essays, and the third his letters and other pieces. His letters are trifles, but his essays display much ease and grace of style, united to judgment and discrimination. They have not the mellow ripeness of thought and learning of Cowley's essays, but they resemble them more closely than any others in the language. In poetry, Shenstone tried various kinds. His elegies are indifferent; his Levities, or pieces of humor, are dull and spiritless: but his Pastoral Ballad, is the finest poem of that order in the English language. Dr. Johnson quotes the following verses of the first part, with the striking eulogium, that, if any mind denies its sympathy to them, it has no acquaintance with love and nature: I prized every hour that went by, Beyond all that had pleased me before; And I grieve that I prized them no more. She gazed as I slowly withdrew, My path I could hardly discern; So sweetly she bade me adieu, I thought that she bade me return. But of all Shenstone's productions, his highest effort is The Schoolmistress, a descriptive poem in imitation of Spenser, so delightfully quaint and ludicrous, yet true to nature, that it has all the force and vividness of a spirited painting. The following stanza in this poem is worthy of particular notice, not only for its intrinsic excellence, but for having probably suggested to Gray the fine reflection in his elegy 'Some mute inglorious Milton here may rest.' D'Israeli first pointed out this resemblance, in his 'Curiosities of Literature,' and it appears well founded. The stanza is as follows: Yet, nursed with skill, what dazzling fruits appear! Even now sagacious foresight points to show A little bench of heedless bishops here, And there a chancellor in embryo, Or bard sublime, if bard may ere be so, As Milton, Shakspeare-names that ne'er shall die! The best part of this fine poem is found in the following stanzas : THE SCHOOLMISTRESS. Ah me! full sorely is my heart forlorn, To think how modest worth neglected lies; For unkempt hair, or task unconned, are sorely shent. And all in sight doth rise a birchen tree, Which learning near her little dome doth stowe; Though now so wide its waving branches flow, And work the simple vassals mickle woe; For not a wind might curl the leaves that blew, But their limbs shuddered, and their pulse beat low; Near to this dome is found a patch so green, The noises intermixed, which thence resound, Do learning's little tenement betray; Where sits the dame, disguised in look profound, Her cap, far whiter than the driven snow, A russet stole was o'er her shoulder thrown; And think, no doubt, she been the greatest wight on ground. Albeit ne flattery did corrupt her truth, Or dame, the sole additions she did hear; Yet these she challenged, these she held right dear; Ne would esteem him act as mought behove, For never title yet so mean could prove, But there was eke a mind which did that title love. One ancient hen she took delight to feed, The plodding pattern of the busy dame; Which, ever and anon, impelled by need, Into her school, begirt with chickens, came; Such favour did her past deportment claim; And, if neglect had lavished on the ground Fragment of bread, she would collect the same; For well she knew, and quaintly could expound, What sin it were to waste the smallest crumb she found. Herbs, too, she knew, and well of each could speak, Where no vain flower disclosed a gaudy streak, But herbs for use and physic, not a few, Of gray renown, within those borders grew: The tufted basil, pun-provoking thyme, And more I fain would sing, disdaining here to rhyme. Here oft the dame, on Sabbath's decent eve, In elbow chair (like that of Scottish stem, Right well she knew each temper to descry, Lo! now with state she utters her command; |