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391 path, that biteth the horse's heel that his rider shall fall backward.' The Ritter, however, so far as his Dragon was concerned, was as one winged, and every horse a Pegasus when it bore him to decide the day between the adder and its victim. It is remarkable that the Mormons should have carried from the East a cruel superstition to find even among the Red Men, who are disappearing before the western march of Saxon strength, more gentle fables. Among the Mimacs, the aborigines of Nova Scotia, there is a legend of a young hero named Keekwajoo, who, in seeking for a wife, is befriended by a good sage named Glooscap, who warns him against a powerful magician disguised as a beaver, and two demon sisters, who will waylay him in the disguise of large weasels. The youth is admonished to beat a certain drum as his canoe passes them, and he is saved as Orpheus in passing Cerberus and Ulysses in sailing past the Syrens. The weasels, hearing the music, aspire to wed the stars, but find themselves in an indescribable nest at the top of a tall white pine.1

The chevalier encounters also the BRUTAL Dragon, whose victim is Woman. From immemorial time man's captive, unable to hold her own against brute force, she is at the mercy of all who are insensible to the refined and passive powers. The rock-bound Andromeda, the pursued Leto, or whatever fair maid it may be that the Dragon-slayer rescues, may have begun mythologically as emblem of the Dawn, whose swallower is the Night Cloud; but in the end she symbolises a brighter dawn,that of civility and magnanimity among men.

It is a notable fact that far away in Japan we should find a Dragon-myth which would appear to represent, with rare beauty, the social evolution we have been considering. Their great mythological Serpent, Yamati-no1 North American Review,' January 1871.

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oroti, that is, the serpent of eight heads and tails, stretching over eight valleys, would pretty certainly represent a river annually overflowing its banks. One is reminded by this monster of the accounts given by Mencius of the difficulties with streams which the Chinese had to surmount before they could make the Middle States habitable. But this Colonial Dragon, in the further evolution of the country, reappears as the Brutal Dragon. The admirable legend relates that, while the rest of the world were using stone implements, there came into the possession of Sosano-ono-Mikoto (the Prince of Sosano) a piece of iron which was wrought into a sword. That maiden-sword of the world was fleshed to save a maiden from the jaws of a monster. The prince descended from heaven to a bank of the river Hino Kawa, and the country around seemed uninhabited; but presently he saw a chopped stick floating down the stream, and concluded that there must be beings dwelling farther up; so he travelled until he came to a spot where he beheld an aged man and his wife (Asinaduti and Tenaduti), with their beautiful daughter, Himé of Inada. The three were weeping bitterly, and the prince was informed that Himé was the last of their daughters, seven of whom had been. devoured by a terrible serpent. This serpent had eight heads, and the condition on which it had ceased to desolate the district was that one of these eight maidens should be brought annually to this spot to satisfy his voracity. The last had now been brought to complete the dreadful compact. The Japanese are careful to distinguish this serpent from a dragon, with them an agathodemon. It had no feet, and its heads branched by as many necks from a single body, this body being so large that it stretched over eight valleys. It was covered with trees and moss, and its belly was red as blood. The prince doubted if

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even with his sword he could encounter such a monster, so he resorted to stratagem; he obtained eight vast bowls, filled them with eight different kinds of wine, and, having built a fence with the same number of openings, set a bowl in each. The result may be imagined: the eight heads in passing over the bowls paused, drank deep, and were soon in a state of beastly intoxication. In this condition the heads were severed from their neck, and the maiden saved to wed the first Mikado Prince.

CHAPTER X.

THE DRAGON-SLAYER.

Demigods-Alcestis-Herakles-The Ghilghit Fiend-Incarnate deliverer of Ghilghit-A Dardistan Madonna-The religion of Atheism Resuscitation of Dragons-St. George and his Dragon -Emerson and Ruskin on George-Saintly allies of the Dragon.

THEOLOGY has pronounced Incarnation a mystery, but nothing is simpler. The demigod is man's appeal from the gods. It may also be, as Emerson says, that 'when the half-gods go the gods arrive,' but it is equally true that their coming signals the departure of deities which man had long invoked in vain. The great Heraklean myth presents us the ideal of godlike force united to human sympathy. Ra (the Sun) passing the twelve gates (Hours) of Hades (Night)1 is humanised in Herakles and his Twelve Labours. He is Son of Zeus by a human mother-Alcmene-and his labours for human welfare, as well as his miraculous conception, influenced Christianity. The divine Man assailing the monsters of divine creation represents human recognition of the fact that moral order in nature is co-extensive with the control of mankind. One expression of this perception is the Alcestis of Euripides, whose significance in relation to death we have considered.2

'Alcestis,' as I have written in another work, 'is one of the few ancient Greek melodramas. The majority of

1 'Records of the Past,' x. 79.

2 Page 285.

dramas left us by the poets of Greece turn upon religious themes, and usually they are tragedies. It is evident that to them the popular religion around them was itself a tragedy. Their heroes and heroines-such as Prometheus and Macaria-were generally victims of the jealousy or caprice of the gods; and though the poets display in their dramas the irresistible power of the gods, they do so without reverence for that power, and generally show the human victims to be more honourable than the gods. But the 'Alcestis' of Euripides is not a tragedy; it ends happily, and in the rescue of one of those victims of the gods. It stands as about the first notice served on the gods that the human heart had got tired of their high-handed proceedings, and they might prepare to quit the thrones of a universe unless they could exhibit more humanity. . . Knowing that neither he nor any other deity can legally resist the decree of another deity, Apollo is reduced to hope for help from man. Human justice may save when divine justice sacrifices. He prophesies to Death that although he may seize Alcestis, a man will come who will conquer him, and deliver that woman from the infernal realm. . . . Then Hercules comes on the scene. He has been slaying lion and dragon, and he now resolves to conquer Death and deliver Alcestis. This he does.'1

In this pre-christian yet christian Passion Play, the part played by the heart of woman is equally heroic with that which represents the honour of man. So in the religion

which followed there was an effort to set beside the incarnate vanquisher of infernal powers the pierced heart of Mary. But among all the legends of this character it were difficult to find one more impressive than that which Dr. Leitner found in Dardistan, and one which, despite its

1 Alcestis in England.' Printed by the South Place Society, Finsbury, London. 1877.