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characters and property of others. That it is a corporeal disease [that is to say, in some way connected with a diseased state of the body], I infer from its sometimes appearing in mad people, who are remarkable for veracity in the healthy states of their minds, several instances of which I have known in the Pennsylvania Hospital. Persons affected with this disease are often amiable in their tempers and manners, and sometimes benevolent and charitable in their dispositions."*

Enough perhaps has been said on this part of our subject to give at least a general idea of it. The same train of thought, and with scarcely any modification, will apply to all the original appetites and propensities. They are all implanted by the Creator of the mind; they are all good in their place and under proper regulation; they are all not only morally evil in their exaggerated and inordinate form, but are attended with more or less of mental disorder, from the slightest shades of disorganization to the deep and terrible miseries of permanent insanity.

CHAPTER II.

SYMPATHETIC IMITATION.

319. Of sympathetic imitation, and what is involved in it.

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We endeavoured, in its proper place, to illustrate the natural origin and the prevalence of the propensity to IMITATION. In connexion with the general truth of the existence of such a propensity, it is proper to observe here that there is a subordinate and peculiar form of imitation, which is deserving of a separate notice, and particularly so on account of its practical results. We speak now of what has been appropriately termed Sympathetic Imitation.

It is implied, in all cases of Sympathetic Imitation, that there is more than one person concerned in them; and it exists, in general, in the highest degree, when the num

* Rush on the Diseases of the Mind, 2d ed., p. 265.

ber of persons is considerable. Some one or more of these individuals is strongly agitated by some internal emotion, desire, or passion; and this inward agitation is expressed by the countenance, gestures, or other external signs. There is also a communication of such agitation of the mind to others; they experience similar emotions, desires, and passions. And these new exercises of soul are expressed, on the part of the sympathetic person, by similar outward signs. In a single word, when we are under the influence of this form of imitation, we both act and feel as others. And this happens, not only in consequence of what we witness in them, and apparently for no other reason, but it happens naturally; that is to say, in virtue of an implanted or natural principle. The view which we are inclined to take of this principle is, that, although we may properly speak of it, on account of its close resemblance, as a modification of the more ordinary form of Imitativeness, yet, on the whole, it is so far distinct and specific in its character as to entitle it to be regarded as a separate part of our sensitive nature. As such it might have been treated of in another place; but in its ordinary action it is generally well understood; and we have delayed the consideration of it till the present time, because it is our principal object to give some account of its disordered or alienated action.

§ 320. Familiar instances of sympathetic imitation.

Abundance of instances (many of them frequent and familiar) show the existence of SYMPATHETIC IMITATION; in other words, that there is in human feelings, and in the signs of those feelings, a power of contagious communication, by which they often spread themselves rapidly from one to another.

"In general it may be remarked," says Mr. Stewart, "that whenever we see in the countenance of another individual any sudden change of features, more especially such a change as is expressive of any particular passion or emotion, our own countenance has a tendency to assimilate itself to his. Every man is sensible of this when he looks at a person under the influence of laughter or in a deep melancholy. Something, too, of the

same kind takes place in that spasm of the muscles of the jaw which we experience in yawning; an action which is well known to be frequently excited by the contagious power of example. Even when we conceive, in solitude, the external expression of any passion, the effect of the conception is visible in our own appearance. This is a fact of which every person must be conscious, who attends, in his own case, to the result of the experiment; and it is a circumstance which has been often remarked with respect to historical painters, when in the act of transferring to the canvass the glowing pictures of a creative imagination."*

To these statements, illustrative of sympathetic imitation, may be added the fact, that if there are a number of children together, and one of them suddenly gives way to tears and sobs, it is generally the case that all the rest are more or less affected in the same manner. Another case, illustrative of the same natural principle, is that of a mob when they gaze at a dancer on the slack rope. They seem not only to be filled with the same anxiety which we may suppose to exist in the rope-dancer himself, but they naturally writhe, and twist, and balance their own bodies as they see him do. It has also been frequently remarked, that when we see a stroke aimed and just ready to fall upon the leg or arm of another person, we naturally shrink, and slightly draw back our own leg or arm, with a sort of prophetic or anticipative imitation of the person on whom the blow is about to be inflicted. Hysterical paroxysms are said to have been sometimes produced at witnessing the exhibition of the pathetic parts of a drama. And even the convulsions of epilepsy have been excited by the mere sight of a person afflicted with them.

321. Of sympathetic imitation in large multitudes.

It has been often noticed, that the power of sympathetic imitation has been rendered intense nearly in proportion to the numbers assembled together. In a large army, if the voice of triumph and joy be raised in a single column, it immediately extends through the whole. On the other * Stewart's Elements, vol. iii., chap. ii.

hand, if a single column be struck with panic, and exhibit external signs of terror by flight or otherwise, the whole army is likely to become rapidly infected. The tremendous power of the mobs which are often collected in large cities, may be explained, in part, on the same principle. The dark cloud that is standing upon the brow of one is seen soon to gather in darkness upon the brow of his neighbour, and thus to propagate itself rapidly in every direction, till one universal gloom of vengeance settles broadly and blackly upon the moving sea of the multitude.

Similar results are sometimes witnessed in large deliberative assemblies. The art of the orator introduces a common feeling, which glows simultaneously in their bosoms. Soon some one, either sustained by weaker nerves or under the influence of stronger internal impulses, gives signs of bodily agitation. Those who sit nearest will probably next imbibe the contagion, which spreads and increases until the whole assembly is in a tumult. The spread of this sympathetic communication will be particularly rapid if the first instances of emotion and action are of a decided and strong character.-The statements which have been made are matters of common observation, and can hardly be supposed to have escaped the notice of any. But there are various other facts on record of a less common character, although involving essentially the same principles.

322. Of the animal magnetism of M. Mesner in connexion with this subject.

About the year 1784, M. Mesner, of Vienna, professed to perform various and important cures by what he called animal magnetism. As this new mode of healing was introduced into France, and much interest was felt on the subject, Louis the Sixteenth appointed a number of persons to examine into it; among whom were Lavoisier, Bailly, and Dr. Franklin, at that time American minister at Paris. On inquiry, it appeared that it was common in the process to assemble a considerable number of patients together. The patients were placed round a circular box or bucket of oak, the lid of which was pierced with a VOL. II.-K K

number of holes, through which there issued moveable and curved branches of iron. These branches were to be applied by the patient to the diseased part. The commissioners, who were witnesses to these proceedings, found that no effect was produced at first. The patients usually sat an hour, and sometimes two, before the crisis came on; being connected with each other, meanwhile, by means of a cord passed round their bodies. At length some one, wearied and nervous, and with feelings evidently much excited, was thrown into extraordinary convulsions. And, in a short time, the whole body of patients became similarly affected, in a greater or less degree. But the commissioners themselves, after having witnessed these singular results, consented to become the subjects of these experiments in their own persons. But they testify that no effect was produced upon them. They also aver, when the process was gone through on persons alone, the same effects were not produced as when a number were together, provided the attempt were made for the first time. In the following extract they seem to attribute the results partly to imagination and partly to sympathy, that is to say, to Sympathetic Imitation.

"The magnetism, then," the commissioners remark, "or, rather, the operations of the imagination, are equally discoverable at the theatre, in the camp, and in all numerous assemblies, as at the bucket; acting, indeed, by different means, but producing similar effects. The bucket is surrounded with a crowd of patients; the sen-. sations are continually communicated and recommunicated; the nerves are at last worn out with this exercise, and the woman of most sensibility in the company gives the signal. In the mean time, the men, who are witnesses of these emotions, partake of them in proportion to their nervous sensibility; and those with whom this sensibility is greatest and most easily excited, become themselves the subjects of a crisis.

"This irritable disposition, partly natural and partly acquired, becomes in each sex habitual. The sensations having been felt once or oftener, nothing is now necessary but to recall the memory of them, and to exalt the imagination to the same degree in order to operate the

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