Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 oldal This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
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49. oldal
... vision of himself through identification with young Mamillius carries with it Leontes ' current feeling of displacement in the family group , which is identified with Mamillius ' imminent loss of a de- lightful ' only - child ' status ...
... vision of himself through identification with young Mamillius carries with it Leontes ' current feeling of displacement in the family group , which is identified with Mamillius ' imminent loss of a de- lightful ' only - child ' status ...
95. oldal
... vision- ary San Lorenzo frescos.33 But , legendary or not , this account of wildly obsessive behaviour has been judged an image of a ' psy- chotic enactment ' through identification with Michelangelo that gives ' the most accurate and ...
... vision- ary San Lorenzo frescos.33 But , legendary or not , this account of wildly obsessive behaviour has been judged an image of a ' psy- chotic enactment ' through identification with Michelangelo that gives ' the most accurate and ...
130. oldal
... vision . Yet next in the same speech Perdita expresses a wish to have upspringing or phallic flowers to give to Florizel , ' bold oxlips and / The crown imperial ' . One reason for Perdita's intense ambiva- lence , then , is that her ...
... vision . Yet next in the same speech Perdita expresses a wish to have upspringing or phallic flowers to give to Florizel , ' bold oxlips and / The crown imperial ' . One reason for Perdita's intense ambiva- lence , then , is that her ...
Tartalomjegyzék
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
Copyright | |
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