AGE. Let them die that age and sullens have; For both hast thou. And future ages groan for this foul act Let them tell thee tales Of woeful ages long ago betid The time shall not be many hours of age More than it is To the pupil age of this present twelve o'clock at midnight If speaking truth In this fine age were not thought flattery Though not clean past your youth, hath yet some smack of age in you All the other gifts appertinent to man, as the malice of this age shapes them You must learn to know such slanders of the age. . Old age, that ill layer up of beauty, can do no more spoil upon my face Richard II. ii 1. ii. 2. iv. I. V. I. V. I. Henry IV. ii. 4. iv. I. 2 Henry IV. i. 2. i. 2. i. 2. Henry V. iii. 6. We will bestow you in some better place, Fitter for sickness and for crazy age. This dishonour in thine age Will bring thy head with sorrow to the ground! Sorrow would solace and mine age would ease. . In duty bend thy knee to me, That bows unto the grave with mickle age To achieve The silver livery of advised age. Shall be eternized in all age to come Which, since, succeeding ages have re-edified Is it upon record, or else reported Successively from age to age? I prophesy the fearfull'st time to thee That ever wretched age hath looked upon I with grief and extreme age shall perish, And never look upon thy face again He would not in mine age Have left me naked to mine enemies. The faint defects of age Must be the scene of mirth. His pupil age Man-entered thus, he waxed like a sea For you, be that you are, long; and your misery increase with your age! Thou hast thus lovingly reserved The cordial of mine age to glad my heart. Age, thou art shamed! Rome, thou hast lost the breed of noble bloods! And that which should accompany old age, As honour, love, obedience Macbeth. v. 3. Hamlet, i. 1. 111. 4. Age, with his stealing steps, Hath clawed me in his clutch V. I. The age is grown so picked that the toe of the peasant comes so near the heel of the courtier V. I. The argument of your praise, balm of your age, Most best, most dearest . 'Tis the infirmity of his age; yet he hath ever but slenderly known himself This policy and reverence of age makes the world bitter to the best of our times You see me here, you gods, a poor old man, As full of grief as age; wretched in both! Age cannot wither her, nor custom stale Her infinite variety These grey locks the pursuivants of death, Nestor-like aged in an age of care. AGENOR.- Sweet beauty in her face, Such as the daughter of Agenor had Tam. of the Shrew, i. 1. Two Gen. of Verona, i. 3. Much Ado, ii. 1. Macbeth, iii. 2. 2 Henry IV. ii. 4. I will aggravate my voice so that I will roar you as gently as any sucking dove Mid. N. Dream, i. 2. AGINCOURT. — The very casques That did affright the air at Agincourt. Then call we this the field of Agincourt, Fought on the day of Crispin AGITATION. - And so now I speak my agitation of the matter. In this slumbery agitation, besides her walking and other actual performances AGNIZE. -I do agnize A natural and prompt alacrity I find in hardness It cannot be; it is impossible: Mirth cannot move a soul in agony. Henry V. i. Prol. iv. 7. Mer. of Venice, iii. 5. Macbeth, v. 1. Tam. of the Shrew, i. 2. Othello, i. 3. Much Ado, V. I. Love's L. Lost, v. 2. Richard III. i. 4. ii. 4. Mer. of Venice, i. 1. King John, iii. 4. Richard II. ii. 1. ill. 2. A-GROWING, — He was the wretched'st thing when he was young, So long a-growing He will look as hollow as a ghost, As dim and meagre as an ague's fit Danger, like an ague, subtly taints Even then when we sit idly in the sun A-HUNGRY. 'T were as good a deed as to drink when a man 's a-hungry. More grave and wrinkled than the ends and aims Of burning youth A poor sequestered stag, That from the hunter's aim had ta'en a hurt I did present myself Even in the aim and very flash of it AIMED. Do it so cunningly That my discovery be not aimed at 1 Henry IV. iii. 1. iv. 1. Henry VIII. i. 1. Troi. and Cress. iii. 3. Macbeth, v. 5. Twelfth Night, ii. 3. All's Well, iii. 7. 2 Henry IV. i. 3. Macbeth, i. 5. King Lear, iv. 4. Com. of Errors, iii. 2. Meas. for Meas. i. 3. Mid. N. Dream, ii. 1. As You Like It, ii. 1. All's Well, ii. 1. King John, ii. 1. 2 Henry IV. iii. 2. Richard III. iv. 4. Julius Cæsar, i. 2. i. 3. Macbeth, ii. 3. Two Gen. of Verona, iii. 1. 1 Henry IV. i. 3. Tempest, i. 2. These our actors, As I foretold you, were all spirits and Are melted into air, into thin air AIR - Whom I left cooling of the air with sighs The air breathes upon us here most sweetly Sounds and sweet airs, that give delight and hurt not A solemn air and the best comforter To an unsettled fancy Who dare tell her so? If I should speak, She would mock me into air Charm ache with air and agony with words. To the most wholesome physic of thy health-giving air Spied a blossom passing fair Playing in the wanton air Blow like sweet roses in this summer air. The air hath starved the roses in her cheeks Pale in her anger, washes all the air, That rheumatic diseases do abound How all the other passions fleet to air, As doubtful thoughts! Two Gen. of Verona, iv. 4. V. I. Love's L. Lost, i. 1. iv. 3. V. 2. Mid. N. Dream, ii. 1. I saw her coral lips to move, And with her breath she did perfume the air Tam. of the Shrew, i. 1 AGENOR. Sweet beauty in her face, Such as the daughter of Agenor had AGENT. - Here is her hand, the agent of her heart Let every eye negotiate for itself, And trust no agent Whiles night's black agents to their preys do rouse AGGRAVATE.I beseek you now, aggravate your choler Tam. of the Shrew, i. 1. Two Gen. of Verona, i. 3. Much Ado, ii. 1. Macbeth, iii. 2. 2 Henry IV. ii. 4. I will aggravate my voice so that I will roar you as gently as any sucking dove Mid. N. Dream, i. 2. AGINCOURT. The very casques That did affright the air at Agincourt. Then call we this the field of Agincourt, Fought on the day of Crispin AGITATION. — And so now I speak my agitation of the matter. In this slumbery agitation, besides her walking and other actual performances AGNIZE. I do agnize A natural and prompt alacrity I find in hardness It cannot be; it is impossible: Mirth cannot move a soul in agony. Henry V. i. Prol. iv. 7. Mer. of Venice, iii. 5. Tam. of the Shrew, i. 2. Othello, i. 3. Much Ado, v. 1. Love's L. Lost, v. 2. Richard III. i. 4. ii. 4. Mer. of Venice, i. 1. King John, iii. 4. Richard II. ii. 1. iii. 2. A-GROWING. — He was the wretched'st thing when he was young, So long a-growing He will look as hollow as a ghost, As dim and meagre as an ague's fit This ague fit of fear is over-blown; An easy task it is to win our own. Danger, like an ague, subtly taints Even then when we sit idly in the sun More grave and wrinkled than the ends and aims Of burning youth A poor sequestered stag, That from the hunter's aim had ta'en a hurt I did present myself Even in the aim and very flash of it AIMED. - Do it so cunningly That my discovery be not aimed at In faith, it is exceedingly well aimed AIR - Whom I left cooling of the air with sighs The air breathes upon us here most sweetly Sounds and sweet airs, that give delight and hurt not 1 Henry IV. iii. 1. iv. 1. Henry VIII. i. 1. Troi. and Cress. iii. 3. Macbeth, v. 5. Twelfth Night, ii. 3. All's Well, iii. 7. 2 Henry IV. i. 3. Macbeth, i. 5. King Lear, iv. 4. Com. of Errors, iii. 2. Meas. for Meas. i. 3. Mid. N. Dream, ii. 1. As You Like It, ii. 1. All's Well, ii. 1. King John, ii. 1. 2 Henry IV. iii. 2. Richard III. iv. 4. Julius Cæsar, i. 2. i. 3. These our actors, As I foretold you, were all spirits and Are melted into air, into thin air A solemn air and the best comforter To an unsettled fancy The air hath starved the roses in her cheeks Who dare tell her so? If I should speak, She would mock me into air ii. 1. iii. 2. iv. 1. V. I. Two Gen. of Verona, iv. 4. V. I. Love's L. Lost, i. 1. iv. 3. V. 2. Pale in her anger, washes all the air, That rheumatic diseases do abound How all the other passions fleet to air, As doubtful thoughts! Mid. N. Dream, ii. 1. Mer. of Venice, iii. 2. I saw her coral lips to move, And with her breath she did perfume the air Tam. of the Shrew, i. 1 AIR. When mine eyes did see Olivia first, Methought she purged the air of pestilence Twelfth Night, i. 1. And make the babbling gossip of the air Cry out. Methought it did relieve my passion much, More than light airs and recollected terms The climate's delicate, the air most sweet, Fertile the isle Pursue him now, lest the device take air and taint This is the air; that is the glorious sun; This pearl she gave me Even till unfenced desolation Leave them as naked as the vulgar air Devouring pestilence hangs in our air, And thou art flying to a fresher clime Had the king permitted us, One of our souls had wandered in the air. i. 5. ii. 4. 111. 1. iv. 3. King John, ii. t. V. I. Richard II. i. 3. i. 3. 2 Henry IV. i. 3. Henry V. i. 1. 2 Henry VI. iv. 1. Richard III. i. 4 Who builds his hopes in air of your good looks, Lives like a drunken sailor on a mast. I see thou wilt not trust the air With secrets . iii. 4 Troi. and Cress. iii. 3. Ere he can spread his sweet leaves to the air, Or dedicate his beauty to the sun Romeo and Juliet, i. 1. i. 4. ii. 6. ii. 6. iii. 5. Timon of Athens, iv. 1. His poor self, A dedicated beggar to the air. Promising is the very air o' the time: it opens the eyes of expectation Fair is foul, and foul is fair: Hover through the fog and filthy air The noise of battle hurtled in the air, Horses did neigh, and dying men did groan V. I. Julius Cæsar, ii. 1. ii. 2. Macbeth, i. 1. They made themselves air, into which they vanished The air Nimbly and sweetly recommends itself Unto our gentle senses Where they most breed and haunt, I have observed, The air is delicate Whole as the marble, founded as the rock, As broad and general as the casing air i. 3. i. 5. i. 6. i. 6. i. 7. ii. 3. iii. 4 iv. 1. iv. 3. v. 8. Hamlet, i. 1. i. 1. i. 4. Where sighs and groans and shrieks that rend the air Are made, not marked This most excellent canopy, the air, look you, this brave o'erhanging firmament 1. 4. i. 5. ii. 2. 111. 2. iii. 2. I eat the air, promise-crammed: you cannot feed capons so You do bend your eye on vacancy And with the incorporal air do hold discourse Thou know'st, the first time that we smell the air, We wawl and cry I am fire and air; my other elements I give to baser life AIR-DRAWN. This is the air-drawn dagger which, you said, Led you to Duncan AJAX. By the Lord, this love is as mad as Ajax: it kills sheep; it kills me. That whiter skin of hers than snow, And smooth as monumental alabaster I have not that alacrity of spirit, Nor cheer of mind, that I was wont to have. ALBION. Buy a slobbery and a dirty farm In that nook-shotten isle of Albion ALCHEMY. His countenance, like richest alchemy, Will change to virtue No less presence, but with much more love, Than young Alcides And let it be more than Alcides' twelve ALCIDES. It lies as sightly on the back of him As great Alcides' shows upon an ass ALE. Love's L. Lost, iv. 3. Othello, i. 3. V. 2. Henry V. iii. 5. King Lear, iii. 2. Julius Cæsar, i. 3. Mer, of Venice, ii. 2. Tam. of the Shrew, i. 2. King John, ii. 1. .1 Henry IV. ii. 4. Romeo and Juliet, i. 4. Mid. N. Dream, ii. 1. Against her lips I bob And on her withered dewlap pour the ale Thou hast not so much charity in thee as to go to the ale with a Christian 7wo Gen. of Verona, ii. 5. Blessing of your heart, you brew good ale iii. 1. Dost thou think, because thou art virtuous, there shall be no more cakes and ale? Twelfth Night, ii. 3. For a quart of ale is a dish for a king. I would give all my fame for a pot of ale and safety. Do you look for ale and cakes here, you rude rascals? ALEHOUSE. You are to call at all the alehouses Would I were in an alehouse in London! ALEXANDER. I think Alexander the Great was born in Macedon Tell me what blessings I have here alive, That I should fear to die? Will you dine with me to-morrow? Ay, if I be alive and your mind hold Great Glamis! worthy Cawdor! Greater than both, by the all-hail hereafter! I dare do all that may become a man; Who dares do more is none All my pretty ones? Did you say all? O hell-kite! All? What, all my pretty chickens and their dam At one fell swoop?. He was a man, take him for all in all, I shall not look upon his like again Winter's Tale, iv. 3. Henry V. iii. 2. Henry VIII. v. 4. Much Ado, iii. 3. Henry V. iii. 2. iv. 7. iv. 7. Hamlet, v. 1. V. I. V. I. Ant. and Cleo. i. 2. King John, ii. 1. Meas. for Meas. iii. 2. Twelfth Night, i. 5. Winter's Tale, iii. 2. .1 Henry IV. v. 4. 2 Henry VI. iv. 2. Timon of Athens, v. 4. Julius Cæsar, i. 2. . Love's L. Lost, v. 1. Mer. of Venice, ii. 7. 2 Henry VI. iv. 2. Richard III. iii. 1. Macbeth, i. 5. ALLEGIANCE. — - Too good for them, if they should have any allegiance in them i. 7. iv. 3. iv. 3. Hamlet, i. 2. King Lear, i. 2. Much Ado, iii. 3. 1 Henry IV. iii. 2. . Henry VIII. i. 2. Two Gen, of Verona, iv. 2. Merry Wives, i. 4. Romeo and Juliet, v. 1. .As You Like It, i. 1. |