The Living Principle: English as a Discipline of ThoughtChatto & Windus, 1975 - 264 oldal Na een beschouwing over de relaties tussen wijsgerig denken en Engelse taal volgen analyses van proza en poëzie uit het Engelse taalgebied, in het bijzonder van het werk van T.S. Eliot (1888-1965) |
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1 - 3 találat összesen 57 találatból.
103. oldal
... play of diverse and shifting analogy such as one might - for there is no dividing line - find oneself discussing ... plays an essential part in the analogical potency of the passage , and we could hardly be altogether happy in bringing ...
... play of diverse and shifting analogy such as one might - for there is no dividing line - find oneself discussing ... plays an essential part in the analogical potency of the passage , and we could hardly be altogether happy in bringing ...
144. oldal
... play a major part : this is prose , but what it achieves is presentment with its concrete specificity , as opposed to the mode of ' taking about ' which we call ' description ' ( I haven't discussed , not thinking it necessary , the ...
... play a major part : this is prose , but what it achieves is presentment with its concrete specificity , as opposed to the mode of ' taking about ' which we call ' description ' ( I haven't discussed , not thinking it necessary , the ...
226. oldal
... played by ' pattern ' in the process is exemplified by this passage from ' Burnt Norton ' which I have already quoted ... play of imaginative thought hasn't the kind of validity , or , pondered , the coerciveness he obviously imputes to ...
... played by ' pattern ' in the process is exemplified by this passage from ' Burnt Norton ' which I have already quoted ... play of imaginative thought hasn't the kind of validity , or , pondered , the coerciveness he obviously imputes to ...
Tartalomjegyzék
Preface page | 9 |
THOUGHT LANGUAGE | 19 |
Thought and Emotional Quality | 71 |
Copyright | |
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achievement actually affirmation ahnung alter ego Andreski Antony and Cleopatra apprehension assertion attitude belongs Blake Blake's Burnt Norton Cartesian dualism challenge close complex concrete consciousness context contrast conveyed Coriolanus course critical dance death discipline distinctive East Coker effect Eliot emotional English language entails essential evocation evoked experience explicit F. H. Bradley F. R. Leavis fact feel force Four Quartets genius gives human creativity human kind human world imagery implicit implicitly inevitable insistence intellectual intelligence intensity intimate judgment literary Little Dorrit Little Gidding living logic manifest Marjorie Grene meaning merely metaphor mind movement nature obvious offered opening paradox paragraph passage pattern philosophical phrase plain play poem poet poetic poetry Polanyi present prompted question quoted reader reality realization recognition recognize recoil relation represented responsibility seems sense sentence Shakespeare significance stanza subtlety suggestion T. S. Eliot theme thing thought truth word write