The Living Principle: English as a Discipline of ThoughtChatto & Windus, 1975 - 264 oldal Na een beschouwing over de relaties tussen wijsgerig denken en Engelse taal volgen analyses van proza en poëzie uit het Engelse taalgebied, in het bijzonder van het werk van T.S. Eliot (1888-1965) |
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1 - 3 találat összesen 59 találatból.
91. oldal
... obvious . We hesitate to call the Rose a symbol , because ' symbol ' is apt to imply something very different from the immediacy with which Blake sees , feels and states in terms of his image - the inevitableness with which the Rose ...
... obvious . We hesitate to call the Rose a symbol , because ' symbol ' is apt to imply something very different from the immediacy with which Blake sees , feels and states in terms of his image - the inevitableness with which the Rose ...
119. oldal
... obvious ambivalence of ' smoke- less ' but beyond question the stillness of the ' mighty heart ' is so touching because of a latent sense of the traffic that will roar across the bridge in an hour or two's time ; just as ' sweet ...
... obvious ambivalence of ' smoke- less ' but beyond question the stillness of the ' mighty heart ' is so touching because of a latent sense of the traffic that will roar across the bridge in an hour or two's time ; just as ' sweet ...
141. oldal
... obvious as to be insulting - at least , that would be one's comment if one had been expected to take the passage seriously . In fact , the design is virtually explicit : the first sentence announces it with the ' meek ' ( incontinently ...
... obvious as to be insulting - at least , that would be one's comment if one had been expected to take the passage seriously . In fact , the design is virtually explicit : the first sentence announces it with the ' meek ' ( incontinently ...
Tartalomjegyzék
Preface page | 9 |
THOUGHT LANGUAGE | 19 |
Thought and Emotional Quality | 71 |
Copyright | |
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achievement actually affirmation ahnung alter ego Andreski Antony and Cleopatra apprehension assertion attitude belongs Blake Blake's Burnt Norton Cartesian dualism challenge close complex concrete consciousness context contrast conveyed Coriolanus course critical dance death discipline distinctive East Coker effect Eliot emotional English language entails essential evocation evoked experience explicit F. H. Bradley F. R. Leavis fact feel force Four Quartets genius gives human creativity human kind human world imagery implicit implicitly inevitable insistence intellectual intelligence intensity intimate judgment literary Little Dorrit Little Gidding living logic manifest Marjorie Grene meaning merely metaphor mind movement nature obvious offered opening paradox paragraph passage pattern philosophical phrase plain play poem poet poetic poetry Polanyi present prompted question quoted reader reality realization recognition recognize recoil relation represented responsibility seems sense sentence Shakespeare significance stanza subtlety suggestion T. S. Eliot theme thing thought truth word write