The Living Principle: English as a Discipline of ThoughtChatto & Windus, 1975 - 264 oldal Na een beschouwing over de relaties tussen wijsgerig denken en Engelse taal volgen analyses van proza en poëzie uit het Engelse taalgebied, in het bijzonder van het werk van T.S. Eliot (1888-1965) |
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80. oldal
... genius is not in dispute , preaches , in the Defence of Poetry , a doctrine that makes the writing of Poetry as much a matter of passive submission to the emotional tides , and as little a matter of active intelligence , as possible ...
... genius is not in dispute , preaches , in the Defence of Poetry , a doctrine that makes the writing of Poetry as much a matter of passive submission to the emotional tides , and as little a matter of active intelligence , as possible ...
97. oldal
... genius he had been testing : ' You must find the rest of us awfully slow . ' Shakespeare was a genius , and genius in him was marvellously quick and penetrating intelligence about life and human nature . The quick- ness was essential ...
... genius he had been testing : ' You must find the rest of us awfully slow . ' Shakespeare was a genius , and genius in him was marvellously quick and penetrating intelligence about life and human nature . The quick- ness was essential ...
213. oldal
... genius depends on their humanity . Not only is human creativity concentrated in them , so that they represent supremely the distinguishing characteristic of life , but in the exercise of their genius they are dependent on collabora ...
... genius depends on their humanity . Not only is human creativity concentrated in them , so that they represent supremely the distinguishing characteristic of life , but in the exercise of their genius they are dependent on collabora ...
Tartalomjegyzék
Preface page | 9 |
THOUGHT LANGUAGE | 19 |
Thought and Emotional Quality | 71 |
Copyright | |
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achievement actually affirmation ahnung alter ego Andreski Antony and Cleopatra apprehension assertion attitude belongs Blake Blake's Burnt Norton Cartesian dualism challenge close complex concrete consciousness context contrast conveyed Coriolanus course critical dance death discipline distinctive East Coker effect Eliot emotional English language entails essential evocation evoked experience explicit F. H. Bradley F. R. Leavis fact feel force Four Quartets genius gives human creativity human kind human world imagery implicit implicitly inevitable insistence intellectual intelligence intensity intimate judgment literary Little Dorrit Little Gidding living logic manifest Marjorie Grene meaning merely metaphor mind movement nature obvious offered opening paradox paragraph passage pattern philosophical phrase plain play poem poet poetic poetry Polanyi present prompted question quoted reader reality realization recognition recognize recoil relation represented responsibility seems sense sentence Shakespeare significance stanza subtlety suggestion T. S. Eliot theme thing thought truth word write