The Living Principle: English as a Discipline of ThoughtChatto & Windus, 1975 - 264 oldal Na een beschouwing over de relaties tussen wijsgerig denken en Engelse taal volgen analyses van proza en poëzie uit het Engelse taalgebied, in het bijzonder van het werk van T.S. Eliot (1888-1965) |
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208. oldal
... the Eliotic personal presence , alters our sense of what the poet is under- taking . We couldn't in any case , if we had read ' Burnt Norton ' as introductory , have expected what would follow to go on 208 FOUR QUARTETS.
... the Eliotic personal presence , alters our sense of what the poet is under- taking . We couldn't in any case , if we had read ' Burnt Norton ' as introductory , have expected what would follow to go on 208 FOUR QUARTETS.
209. oldal
... Four Quartets , which was a good deal later than ' Ash- Wednesday ' , he knew where he was going to arrive . In reading the Quartets as forming one work we are aware of that , and recognize that his economy depends on the foreknowledge ...
... Four Quartets , which was a good deal later than ' Ash- Wednesday ' , he knew where he was going to arrive . In reading the Quartets as forming one work we are aware of that , and recognize that his economy depends on the foreknowledge ...
211. oldal
... Four Quartets , means that only with a great deal of qualifying reservation can one ' be the music while the music lasts ' . In any case , a creative literary work is conceived and composed in and of language , and in challenging ...
... Four Quartets , means that only with a great deal of qualifying reservation can one ' be the music while the music lasts ' . In any case , a creative literary work is conceived and composed in and of language , and in challenging ...
Tartalomjegyzék
Preface page | 9 |
THOUGHT LANGUAGE | 19 |
Thought and Emotional Quality | 71 |
Copyright | |
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achievement actually affirmation ahnung alter ego Andreski Antony and Cleopatra apprehension assertion attitude belongs Blake Blake's Burnt Norton Cartesian dualism challenge close complex concrete consciousness context contrast conveyed Coriolanus course critical dance death discipline distinctive East Coker effect Eliot emotional English language entails essential evocation evoked experience explicit F. H. Bradley F. R. Leavis fact feel force Four Quartets genius gives human creativity human kind human world imagery implicit implicitly inevitable insistence intellectual intelligence intensity intimate judgment literary Little Dorrit Little Gidding living logic manifest Marjorie Grene meaning merely metaphor mind movement nature obvious offered opening paradox paragraph passage pattern philosophical phrase plain play poem poet poetic poetry Polanyi present prompted question quoted reader reality realization recognition recognize recoil relation represented responsibility seems sense sentence Shakespeare significance stanza subtlety suggestion T. S. Eliot theme thing thought truth word write