The Living Principle: English as a Discipline of ThoughtChatto & Windus, 1975 - 264 oldal Na een beschouwing over de relaties tussen wijsgerig denken en Engelse taal volgen analyses van proza en poëzie uit het Engelse taalgebied, in het bijzonder van het werk van T.S. Eliot (1888-1965) |
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184. oldal
... F. H. Bradley's Appearance and Reality that occupies most of it : My external sensations are no less private to myself than are my thoughts or my feelings . In either case my experience falls within my own circle , a circle closed on ...
... F. H. Bradley's Appearance and Reality that occupies most of it : My external sensations are no less private to myself than are my thoughts or my feelings . In either case my experience falls within my own circle , a circle closed on ...
199. oldal
... F. H. Bradley is inconceivable in him . It goes with that sense of irremediable insulation that Eliot gets no comfort from continuities - there are for him none that matter . There is merely succession : In succession Houses rise and ...
... F. H. Bradley is inconceivable in him . It goes with that sense of irremediable insulation that Eliot gets no comfort from continuities - there are for him none that matter . There is merely succession : In succession Houses rise and ...
. oldal
... I have commented already on the significance , in relation to Eliot's disability , of the ' Dayadhvam ' passage and of the supporting quotation , in the relevant note at the end of The Waste Land , from F. H. Bradley 259 ' LITTLE GIDDING '
... I have commented already on the significance , in relation to Eliot's disability , of the ' Dayadhvam ' passage and of the supporting quotation , in the relevant note at the end of The Waste Land , from F. H. Bradley 259 ' LITTLE GIDDING '
Tartalomjegyzék
Preface page | 9 |
THOUGHT LANGUAGE | 19 |
Thought and Emotional Quality | 71 |
Copyright | |
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achievement actually affirmation ahnung alter ego Andreski Antony and Cleopatra apprehension assertion attitude belongs Blake Blake's Burnt Norton Cartesian dualism challenge close complex concrete consciousness context contrast conveyed Coriolanus course critical dance death discipline distinctive East Coker effect Eliot emotional English language entails essential evocation evoked experience explicit F. H. Bradley F. R. Leavis fact feel force Four Quartets genius gives human creativity human kind human world imagery implicit implicitly inevitable insistence intellectual intelligence intensity intimate judgment literary Little Dorrit Little Gidding living logic manifest Marjorie Grene meaning merely metaphor mind movement nature obvious offered opening paradox paragraph passage pattern philosophical phrase plain play poem poet poetic poetry Polanyi present prompted question quoted reader reality realization recognition recognize recoil relation represented responsibility seems sense sentence Shakespeare significance stanza subtlety suggestion T. S. Eliot theme thing thought truth word write