Shakespeare's Webs: Networks of Meaning in Renaissance DramaRoutledge, 2012. dec. 6. - 192 oldal In this book, renowned Renaissance drama critic Arthur F. Kinney argues that Shakespeare's method of composing plays through networks of meanings can be seen as a harbinger of today's information technology. Drawing upon hypertext and cognitive theory--areas that have for some time promised to take on more importance in the sphere of Shakespeare Studies--as well as the central metaphor of the Routledge collection The Renaissance Computer, Kinney looks in detail at four objects/images in Shakespeare's plays--mirrors, maps, clocks, and books--and explores the ways in which they make up networks of meaning within single plays and across the dramatist's body of work that anticipate in some ways the networks of meaning or "information" now possible in the computer age. |
Részletek a könyvből
1 - 5 találat összesen 33 találatból.
viii. oldal
... thought, are so numerous and happen so swiftly that our conscious mind literally cannot perceive nor fathom them. Yet cognitive scientists generally agree on the fundamental processes by which the brain works and human thoughts occur ...
... thought, are so numerous and happen so swiftly that our conscious mind literally cannot perceive nor fathom them. Yet cognitive scientists generally agree on the fundamental processes by which the brain works and human thoughts occur ...
x. oldal
... thought almost constantly of the material, even when in the midst of its greatest imaginative leaps: '[M]ay we cram/Within this wooden O the very casques/That did affright the air at Agincourt?'” (Henry V, Pro. 12–14).8 Just as ...
... thought almost constantly of the material, even when in the midst of its greatest imaginative leaps: '[M]ay we cram/Within this wooden O the very casques/That did affright the air at Agincourt?'” (Henry V, Pro. 12–14).8 Just as ...
xiii. oldal
... thought—“an unweeded garden” or “frailty, thy name is woman” (1.2.135, 146)—Hamlet attempts to build a web-like structure, reaching out for threads of thought to be woven into understanding, cultural traces that through rejoining ...
... thought—“an unweeded garden” or “frailty, thy name is woman” (1.2.135, 146)—Hamlet attempts to build a web-like structure, reaching out for threads of thought to be woven into understanding, cultural traces that through rejoining ...
xiv. oldal
... thought fail him at this juncture to make meaning, to cohere conceptually. Such conscious, frustrated bewilderment is not entirely Hamlet's fault. The process of making meaning is known as semiosis and smio- sis, Jay L. Lemke tells us ...
... thought fail him at this juncture to make meaning, to cohere conceptually. Such conscious, frustrated bewilderment is not entirely Hamlet's fault. The process of making meaning is known as semiosis and smio- sis, Jay L. Lemke tells us ...
xv. oldal
... Thought is an active pattern in the brain that takes a latent capacity for the pattern and activates it into a concept. This concept, in turn, competes with other concepts to make sense of things. Nor are concepts themselves singular ...
... Thought is an active pattern in the brain that takes a latent capacity for the pattern and activates it into a concept. This concept, in turn, competes with other concepts to make sense of things. Nor are concepts themselves singular ...
Más kiadások - Összes megtekintése
Shakespeare's Webs: Networks of Meaning in Renaissance Drama Arthur F. Kinney Korlátozott előnézet - 2004 |
Shakespeare's Webs: Networks of Meaning in Renaissance Drama Arthur F. Kinney Korlátozott előnézet - 2004 |
Shakespeare's Webs: Networks of Meaning in Renaissance Drama Arthur F. Kinney Korlátozott előnézet - 2004 |
Gyakori szavak és kifejezések
according action activity become bell body brain called Cambridge Claudius clock cognitive concept continues court cultural daughter death divided early Elizabethan England English face father fear Figure give glass Goneril Hamlet hand hath Henry History hold hour human Italy John Juliet Kent kind King Lady land language Lear learning lines live London looking lord marginal mark material matter means measure memory mind mirror nature night notes objects observation Ophelia painted past patterns person play Polonius possible practice present Quoted record reference reflection rhetoric Richard Romeo rule scene seems sense Shakespeare’s soul speak stage tells thee things Thomas thou thought tion true turn University Press writes York