Shakespeare's Webs: Networks of Meaning in Renaissance DramaRoutledge, 2012. dec. 6. - 192 oldal In this book, renowned Renaissance drama critic Arthur F. Kinney argues that Shakespeare's method of composing plays through networks of meanings can be seen as a harbinger of today's information technology. Drawing upon hypertext and cognitive theory--areas that have for some time promised to take on more importance in the sphere of Shakespeare Studies--as well as the central metaphor of the Routledge collection The Renaissance Computer, Kinney looks in detail at four objects/images in Shakespeare's plays--mirrors, maps, clocks, and books--and explores the ways in which they make up networks of meaning within single plays and across the dramatist's body of work that anticipate in some ways the networks of meaning or "information" now possible in the computer age. |
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ii. oldal
... means now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Kinney ...
... means now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Kinney ...
vii. oldal
... means of recognition. So common was this practice, in fact, that our memories of many early modern plays involve images of characters holding things. With Shakespeare, for example, Hamlet (1601) can suggest a man contemplating a skull ...
... means of recognition. So common was this practice, in fact, that our memories of many early modern plays involve images of characters holding things. With Shakespeare, for example, Hamlet (1601) can suggest a man contemplating a skull ...
xi. oldal
... means of cognition such objects held then (and hold now). In preparing this book, I have learned much from Mary Thomas Crane and her colleague Andrew Sofer, from Peter Stallybrass, from my Australian colleague Hugh Craig, and from two ...
... means of cognition such objects held then (and hold now). In preparing this book, I have learned much from Mary Thomas Crane and her colleague Andrew Sofer, from Peter Stallybrass, from my Australian colleague Hugh Craig, and from two ...
xvi. oldal
... means is that there is something on the order of a hundred trillion (100,000,000,000,000) synapses in the human brain. This is an unimaginatively large number, and it is far beyond our present abilities to comprehend what a process with ...
... means is that there is something on the order of a hundred trillion (100,000,000,000,000) synapses in the human brain. This is an unimaginatively large number, and it is far beyond our present abilities to comprehend what a process with ...
xxiv. oldal
... mean anything and everything without losing its identity. A heteronomous conception of the work as a heterogeneous, bounded field can satisfy both of these demands. It preserves the work's multiplicity without sacrificing its ...
... mean anything and everything without losing its identity. A heteronomous conception of the work as a heterogeneous, bounded field can satisfy both of these demands. It preserves the work's multiplicity without sacrificing its ...
Más kiadások - Összes megtekintése
Shakespeare's Webs: Networks of Meaning in Renaissance Drama Arthur F. Kinney Korlátozott előnézet - 2004 |
Shakespeare's Webs: Networks of Meaning in Renaissance Drama Arthur F. Kinney Korlátozott előnézet - 2004 |
Shakespeare's Webs: Networks of Meaning in Renaissance Drama Arthur F. Kinney Korlátozott előnézet - 2004 |
Gyakori szavak és kifejezések
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