Shakespeare's Webs: Networks of Meaning in Renaissance DramaRoutledge, 2012. dec. 6. - 192 oldal In this book, renowned Renaissance drama critic Arthur F. Kinney argues that Shakespeare's method of composing plays through networks of meanings can be seen as a harbinger of today's information technology. Drawing upon hypertext and cognitive theory--areas that have for some time promised to take on more importance in the sphere of Shakespeare Studies--as well as the central metaphor of the Routledge collection The Renaissance Computer, Kinney looks in detail at four objects/images in Shakespeare's plays--mirrors, maps, clocks, and books--and explores the ways in which they make up networks of meaning within single plays and across the dramatist's body of work that anticipate in some ways the networks of meaning or "information" now possible in the computer age. |
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2. oldal
... glass, Like to my followers in prosperity, Thou dost beguile me! (4.1.267–71) A looking glass that was to mirror his fallen state cannot be trusted and does not reflect the reality, but rather reflects a false if desired expectation of ...
... glass, Like to my followers in prosperity, Thou dost beguile me! (4.1.267–71) A looking glass that was to mirror his fallen state cannot be trusted and does not reflect the reality, but rather reflects a false if desired expectation of ...
3. oldal
... glass does in Robert Greene's Friar Bacon and Friar Bungay (1594), what are we to make of Cassius' well-known offer to Brutus to use him as a glass to know himself (Julius Caesar, 1.2.69–72). Or what are we to make of Hamlet's ...
... glass does in Robert Greene's Friar Bacon and Friar Bungay (1594), what are we to make of Cassius' well-known offer to Brutus to use him as a glass to know himself (Julius Caesar, 1.2.69–72). Or what are we to make of Hamlet's ...
4. oldal
... glass that were slit, flattened on a stone, and then polished, beveled, and silvered. Venetian manufacturers used cristallo, a very clear glass that could be blown very thin. Often such mirrors would produce remarkably pure and uniform ...
... glass that were slit, flattened on a stone, and then polished, beveled, and silvered. Venetian manufacturers used cristallo, a very clear glass that could be blown very thin. Often such mirrors would produce remarkably pure and uniform ...
6. oldal
... glass and tin (or steel) meant that they could also be put to educational use. In Shakespeare's day, there was a rush of book titles in England that made use of the mirror (or the looking glass) as metaphor: “A worthy myrrour, wherin ye ...
... glass and tin (or steel) meant that they could also be put to educational use. In Shakespeare's day, there was a rush of book titles in England that made use of the mirror (or the looking glass) as metaphor: “A worthy myrrour, wherin ye ...
8. oldal
... glass wherein the present might see and learn the patterns of conduct which had brought happiness or unhappiness to nations and men in the past.” She cites, as an example, Peter Ashton's dedication to Sir Ralph Sadler's A short treatise ...
... glass wherein the present might see and learn the patterns of conduct which had brought happiness or unhappiness to nations and men in the past.” She cites, as an example, Peter Ashton's dedication to Sir Ralph Sadler's A short treatise ...
Más kiadások - Összes megtekintése
Shakespeare's Webs: Networks of Meaning in Renaissance Drama Arthur F. Kinney Korlátozott előnézet - 2004 |
Shakespeare's Webs: Networks of Meaning in Renaissance Drama Arthur F. Kinney Korlátozott előnézet - 2004 |
Shakespeare's Webs: Networks of Meaning in Renaissance Drama Arthur F. Kinney Korlátozott előnézet - 2004 |
Gyakori szavak és kifejezések
according action activity become bell body brain called Cambridge Claudius clock cognitive concept continues court cultural daughter death divided early Elizabethan England English face father fear Figure give glass Goneril Hamlet hand hath Henry History hold hour human Italy John Juliet Kent kind King Lady land language Lear learning lines live London looking lord marginal mark material matter means measure memory mind mirror nature night notes objects observation Ophelia painted past patterns person play Polonius possible practice present Quoted record reference reflection rhetoric Richard Romeo rule scene seems sense Shakespeare’s soul speak stage tells thee things Thomas thou thought tion true turn University Press writes York