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and sat deown, and drew up the reing, and took the whip in my right hand: have you got that deown?"

'Yes, long ago; go on."

"Dear me, how fast you write! I never saw your equal. And I said to the old mare, Go 'long,' and jerked the reins pretty hard: have you got that deown?" "Yes; and I am impatiently waiting for more. I wish you wouldn't bother me with so many foolish questions. Go on with your letter."

"Well, the old mare wouldn't stir out of her tracks, and I hollered,' Go 'long, you old jade! go 'long.' Have you got that deown?"

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'Yes, indeed, you pestersome fellow; go on."

"And I licked her, and licked her, and licked her [continuing to repeat these words as rapidly as possible]. "Hold on there! I have written two pages of 'licked her,' and I want the rest of the letter."

"Well, and she kicked, and she kicked, and she kicked[continuing to repeat these words with great rapidity]. "Do go on with your letter; I have several pages of 'she kicked.'"

[The Yankee clucks as in urging horses to move, and continues the clucking noise with rapid repetition for some time.]

The scribe throws down his pen.

"Write it deown! write it deown!" "I can't!"

"Well then, I won't pay you."

[The scribe, gathering up his papers.] "What shall I do with all these sheets upon which I have written your nonsense?"

"You may use them in doing up your gape-seed. Good by !"

THE BLACKSMITH'S STORY.-FRANK OLIVE,

WELL, No! My wife ain't dead, sir, but I've lost her all the

same;

She left me voluntarily, and neither was to blame.

It's rather a queer story, and I think you will agree

When you hear the circumstances-'twas rather rough on me.

She was a soldier's widow. He was killed at Malvern Hill;
And when I married her she seemed to sorrow for him still;
But I brought her here to Kansas, and I never want to see
A better wife than Mary was for five bright years to me.

The change of scene brought cheerfulness, and soon a rosy glow
Of happiness warmed Mary's checks and melted all their snow.
I think she loved me some-I'm bound to think that of her, sir,
And as for me—I can't begin to tell how I loved her!

Three years ago the baby came our humble home to bless ;
And then I reckon I was nigh to perfect happiness;

'Twas hers-'twas mine-; but I've no language to explain to you,

How that little girl's weak fingers our hearts together drew!

Once we watched it through a fever, and with each gasping breath,

Dumb with an awful, worldless woe, we waited for its death; And, though I'm not a pious man, our souls together there, For Heaven to spare our darling, went up in voiceless prayer. And when the doctor said 'twould live, our joy what words could tell?

Clasped in each other's arms, our grateful tears together fell. Sometimes, you see, the shadow fell across our little nest, But it only made the sunshine seem a doubly welcome guest.

Work came to me a plenty, and I kept the anvil ringing; Early and late you'd find me there a hammering and singing; Love nerved my arm to labor, and moved my tongue to song, And though my singing wasn't sweet, it was tremendous strong!

One day a one-armed stranger stopped to have me nail a shoe,
And while I was at work, we passed a compliment or two;
I asked him how he lost his arm. He said 'twas shot away
At Malvern Hill. "At Malvern Hill! Did you know Robert
May ?"

́ ́That's me,” said he. "You, you!" I gasped, choking with horrid doubt;

"If you're the man, just follow me; we'll try this mystery out!"

With dizzy steps, I led him to Mary. God! 'Twas true!
Then the bitterest pangs of misery, unspeakable, I knew.

Frozen with deadly horror, she stared with eyes of stone,
And from her quivering lips there broke one wild, despairing

moan.

'Twas he! the husband of her youth, now risen from the dead, But all too late-and with bitter cry, her senses fled.

What could be done? He was reported dead. On his return
He strove in vain some tidings of his absent wife to learn.
'Twas well that he was innocent! Else I'd 've klied him, too
So dead he never would have riz till Gabriel's trumpet blew !

It was agreed that Mary then between us shoula decide,
And each by her decision would sacredly abide.

No sinner, at the judgment-scat, waiting eternal doom,
Could suffer what I did, while waiting sentence in that room.

Rigid and breathless, there we stood, with nerves as tense as steel,

While Mary's eyes sought each white face, in piteous appeal. God! could not woman's duty be less hardly reconciled Between her lawful husband and the father of her child?

Ah, how my heart was chilled to ice, when she knelt down and said:

"Forgive me, Johu! He is my husband! Here! Alive! not dead!

I raised her tenderly, and tried to tell her she was right, But somehow, in my aching breast, the prisoned words stuck tight!

"But, John, I can't leave baby"-"What! wife and child!" cried I;

"Must I yield all! Ah, cruel fate! Better that I should die. Think of the long, sad, lonely hours, waiting in gloom for me— No wife to cheer me with her love-no babe to Climb my knee!

"And yet you are her mother, and the sacred mother love Is still the purest, tenderest tie that Heaven ever wove. Take her, but promise, Mary-for that will bring no shame"My little girl shall bear, and learn to lisp her father's name !"

It may be, in the life to come, I'll meet my child and wife;
But yonder, by my cottage gate, we parted for his life;
One long hand-clasp from Mary, and my dream of love was
done!

One long embrace from baby, and my happiness was gone!

THE SONG OF THE DYING.-CAPTAIN DOWLING.

A NUMBER of British officers were stationed at an outpost in India during the prevalence of a pestilence. Many of their companious had fallen victims; all the chances of escape were cut off, and death stared them in the face. Under these circumstances, and meeting together probably for the last time, the following lines, which were written by one of their number, was sung. The author was the first to fall a victim to the grim destroyer.

WE meet 'neath the sounding rafter,
And the walls around are bare;
As they echo the peels of laughter
It seems that the dead are there;

But stand to your glasses steady,
We drink to our comrades' eyes;
Quaff a cup to the dead already-
And hurrah for the next that dies!

Not here are the goblets flowing,
Not here is the vintage sweet;
'Tis cold, as our hearts are growing,
And dark as the doom we meet.
But stand to your glasses steady,
And soon shall our pulses rise;
A cup to the dead already-
Hurrah for the next that dies!

Not a sigh for the lot that darkles,
Not a tear for the friends that sink;
We'll fall, 'midst the wine-cup's sparkles,
As mute as the wine we drink.

So stand to your glasses steady,
'Tis in this our respite lies;
One cup to the dead already-
Hurrah for the next that dies!

Time was when we frowned at others,
We thought we were wiser then;

Ha ha! let those think of their mothers,

Who hope to see them again.

No! stand to your glasses steady,

The thoughtless are here the wise;
A cup to the dead already-
Hurrah for the next that dies!

There's many a hand that's shaking,
There's many a check that's sunk;

But soon, though our hearts are breaking,
They'll burn with the wine we've drunk.

LE

So stand to your glasses steady,
'Tis here the revival lies;

A cup to the dead already-
Hurrah for the next that dies!

There's a mist on the glass congealing,
'Tis the hurricane's fiery breath;
And thus does the warmth of feeling
Turn ice in the grasp of death.
Ho! stand to your glasses steady;
For a moment the vapor flies;
A cup to the dead already-
Hurrah for the next that dies!

Who dreads to the dust returning?
Who shrinks from the sable shore,
Where the high and haughty yearning
Of the soul shall sing no more?
Ho! stand to your glasses steady;
This world is a world of lies;
A cup for the dead already-
Hurrah for the next that dies!

Cut off from the land that bore us,
Betrayed by the land we find,

Where the brightest have gone before us,

And the dullest remain behind

Stand, stand to your glasses steady!

'Tis all we have left to prize;

A cup to the dead already

And hurrah for the next that dies!

AFFECTATION IN THE PULPIT.-WILLIAM COWPF3

IN man or woman,-but far most in man,
And most of all in man that ministers
And serves the altar,-in my soul I loathe
All affectation. 'Tis my perfect scorn;
Object of my implacable disgust.

What!--will a man play tricks,-will he indulge
A silly, fond conceit of his fair form,
And just proportion, fashionable mien,
And pretty face,-in presence of his God?
Or will he seek to dazzle me with tropes,
As with the diamond on his lily hand,

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