An Approach to LiteraturePrentice-Hall, 1975 - 902 oldal An Approach to Literature provides a very liberal selection of fiction, poetry and drama, and it is scarecely to be expected that the book will be regularly used from cover to cover. What we have tried to do, now more positively than ever, is to give teachers room to maneuver, a range of choices out of which they can tailor a course to their special needs and to the tastes and capacities of their students. |
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382. oldal
... exercises suggested there in addition to those that follow here . EXERCISES 1. Comment on the relation of monosyllabic and polysyllabic words in Wordsworth's " London , 1802. " 2. Mark the caesuras in Milton's " On the Late Massacre in ...
... exercises suggested there in addition to those that follow here . EXERCISES 1. Comment on the relation of monosyllabic and polysyllabic words in Wordsworth's " London , 1802. " 2. Mark the caesuras in Milton's " On the Late Massacre in ...
435. oldal
... EXERCISES 10 15 1. If the last stanza were omitted , would the poem have a different meaning for you ? Explain your answer . 2. In terms of thematic structure , how does this poem compare with " A Psalm of Life " ? In the use of imagery ...
... EXERCISES 10 15 1. If the last stanza were omitted , would the poem have a different meaning for you ? Explain your answer . 2. In terms of thematic structure , how does this poem compare with " A Psalm of Life " ? In the use of imagery ...
437. oldal
... EXERCISES 1. Is Nash here implying that a sense of duty is stupid ? If he isn't saying that , then what is he saying ? Relate your answer to the questions in exercise 2 on Wordsworth's " Ode to Duty . " 2. Describe the tone of this poem ...
... EXERCISES 1. Is Nash here implying that a sense of duty is stupid ? If he isn't saying that , then what is he saying ? Relate your answer to the questions in exercise 2 on Wordsworth's " Ode to Duty . " 2. Describe the tone of this poem ...
Tartalomjegyzék
Introduction | 1 |
William Carlos Williams | 11 |
Fictional Point | 17 |
Copyright | |
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A. E. Housman accents anapest Anson ANTISTROPHE ANTONY asked Aunt Julia BRACK Caesar CHARMIAN CHORAGOS CLEOPATRA CREON Danny Deever dark dear death door Eilert ELVSTED ENOBARBUS EXERCISES eyes face fact father feel fiction girl give hair hand head hear heard heart HEDDA Helton HIGGINS horse iambic pentameter IOCASTE kind knew La Lupa lady laugh light live looked LÖVBORG Mark Antony meaning meter metrical mind MISS TESMAN mother never night OEDIPUS PEARCE Pepé play poem poet poetry POMPEY rhythm rime Rodney Salzman scene seemed sense Sir Patrick Spens sleep smile stanza stood story talk TEIRESIAS tell thee theme thing Thompson thou thought tion told tone trees turned verse voice walked wife woman word young