ODE. [Read at the Festival celebrating the birthday of Margaret Fuller OSSOLI, held by the New England Women's Club, Boston, May 23, 1870.] I. LIFE'S rearward vistas slowly close behind, And evermore recede, the glare and shade Or bounded upwards, light and undismayed, So far away, triumphant on the heights Where some found truth, some error's foggy breath, Or desolate old age, or crown of early death. II. Dim in the distance fade The sunshine and the shade ; And many a light that blazed and shone Into the horizon's mist has gone. One record rises from our past, That shall forever last, A name our age can never From its remembrance sever. We bear it in our hearts to-day, Fresh as the perfume of the May. It vibrates in the air, a rich, full-chorded strain, The music of a life known to but few, Till death gave to the age the fame long due, And wondered, then but slowly, faintly praised Of their trim garden grounds, — Her image of ideal womanhood, The incarnate True and Fair and Good, And flame from cloud to cloud, and climb The garnered wisdom of the past she drew But as the avenue and door And so, beyond her earlier bounds she grew; Fused in a human fellowship anew, While that too conscious life, in early years o'erstrained, Of long, deep, lonely introversion born, Distilled like dews of morn, And dropped on high and low the blessing it contained. Or glanced in lighter mood at themes less grave, Her sweet persuasive voice we still can hear, While wit and fancy sparkled ever clear Her graver moods between. The pure perennial heat Of youth's ideal love forever glowed Through all her thoughts and words, and overflowed The listeners round her seat. While those around her but half understood How wise she was, how good, How nobly self-denying, as she tasked Heart, mind, and strength for truth, nor nobler office asked. V. Nor honor less, nor praise To her whose later days Were pledged to lift wronged Justice to her seat; And though Rome's new-lit torch Blew backwards, but to scorch The hand that held it, dropping at her feet, The records of the strife That agonized its life, Were strewn upon the wind like withered flowers, Alas! how could we with our lamp of hope Read thy perplexed and darkened horoscope! How could we know, when Destiny's great loom That its bright tissue held the shade As in a garden home, I seem to hear The grand sweet music of that earnest life, Stop, suddenly drowned amid the tempest drear; I hear the harp whose strings, Whose delicate thoughtful strings should well have played Some hopeful melody of woods and springs; Had Fate accorded with love's passionate prayer, Standing where now we stand; The nation saved from brute Rebellion's strife, The splendor of our coming lights, Her vision and her strength grown with her change To all that woman needs to make complete In wifehood and maternal ties That strange supernal air! Or art thou sleeping dreamless, knowing naught Or art thou but a breeze of Heaven's breath, Out on the undiscovered clime From the thin empyrean, so, with wing All we shall gain, by all the soul's distress, All we shall be, by our poor worthiness. And so we write and sing Our dreams of time and space, and call them - Heaven. To God we leave the rest. So, reverent beneath the mystery Back to the great Unknown the spirit given Of all thou hast been, and shalt ever be. The age shall guard thy fame, And reverence thy name. There is no cloud on them. There is no death for thee! C. P. Cranch. SOME MEMORIES OF CHARLES DICKENS. Na sunny morning in October ΟΝ on a pleasant evening in June he died. last the writer of these recollec- The spot is one of the loveliest in Kent, tions heard from the author's lips the and must always be remembered as first chapters of a new story, the con- the last residence of Charles Dickens. cluding lines of which initial pages were He used to declare his firm belief then scarcely dry from the pen. The that Shakespeare was specially fond of story is unfinished, and he who read Kent, and that the poet chose Gad's that autumn morning with such vigor Hill and Rochester for the scenery of of voice and dramatic power is in his his plays from intimate personal knowlgrave. This private reading took place edge of their localities. He said he in the little room where the great nov- had no manner of doubt but that one elist for many years has been accus- of Shakespeare's haunts was the old tomed to write, and in the house where inn at Rochester, and that this convic |