The Actor and the TextVirgin, 1992 - 303 oldal Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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1 - 3 találat összesen 57 találatból.
10. oldal
... writing , for this always feeds our response to Shakespeare , and vice versa . We are always lucky when we have an opportunity to work on both , for it is the interchange between modern and classical writing that enriches both and makes ...
... writing , for this always feeds our response to Shakespeare , and vice versa . We are always lucky when we have an opportunity to work on both , for it is the interchange between modern and classical writing that enriches both and makes ...
34. oldal
... writing which is built on a rhythmic structure , where there is compression of imagery , and where we understand as much through the logic of the imagery as through the factual reasoning . And I am taking naturalistic writing to be ...
... writing which is built on a rhythmic structure , where there is compression of imagery , and where we understand as much through the logic of the imagery as through the factual reasoning . And I am taking naturalistic writing to be ...
255. oldal
... writing . 4 MODERN TEXT This of course would make material for a whole book on its own , there is so much variety of approach that could be used . The point I would make clearly is that however naturalistic the dialogue , it still is ...
... writing . 4 MODERN TEXT This of course would make material for a whole book on its own , there is so much variety of approach that could be used . The point I would make clearly is that however naturalistic the dialogue , it still is ...
Tartalomjegyzék
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Copyright | |
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Gyakori szavak és kifejezések
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Hivatkozások erre a könyvre
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Nincs elérhető előnézet - 2007 |