The Actor and the TextVirgin, 1992 - 303 oldal Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
Részletek a könyvből
1 - 3 találat összesen 82 találatból.
60. oldal
... whole , which is related to the racing of her blood , and the whole speech alternates between being quite violent and calm . In quite a few other lines the first stress is inverted , thus making the first word remarkable . This happens ...
... whole , which is related to the racing of her blood , and the whole speech alternates between being quite violent and calm . In quite a few other lines the first stress is inverted , thus making the first word remarkable . This happens ...
86. oldal
... whole thought . As the speech progresses the line endings become less defined , and this reinforces the sense that his thoughts get out of control . And thirdly , let us consider the energy from THOUGHT TO THOUGHT : the following ...
... whole thought . As the speech progresses the line endings become less defined , and this reinforces the sense that his thoughts get out of control . And thirdly , let us consider the energy from THOUGHT TO THOUGHT : the following ...
149. oldal
... whole passage is about , each person must receive what he has been given from the last person , allow his own phrase to open out , and hand it on to the next . So there is an individual contribution which is part of the whole , and the ...
... whole passage is about , each person must receive what he has been given from the last person , allow his own phrase to open out , and hand it on to the next . So there is an individual contribution which is part of the whole , and the ...
Tartalomjegyzék
by Trevor Nunn 789 | 9 |
Heightened versus Naturalistic Text | 32 |
Shakespeare Setting out the Rules | 52 |
Copyright | |
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Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Hivatkozások erre a könyvre
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Nincs elérhető előnézet - 2007 |