The Actor and the TextVirgin, 1992 - 303 oldal Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
Részletek a könyvből
1 - 3 találat összesen 19 találatból.
41. oldal
... singing beautifully and the man said ' Now I sing so beautifully I shall be rich and famous ' . He put the bird in a cage and said ' When I open my mouth wide you must sing ' . Then he went to the king and said ' I will sing your ...
... singing beautifully and the man said ' Now I sing so beautifully I shall be rich and famous ' . He put the bird in a cage and said ' When I open my mouth wide you must sing ' . Then he went to the king and said ' I will sing your ...
145. oldal
... singing on the same vowel , but then you can break that and sing vowels of your choice . You will find it difficult to do with short vowels , but try sometimes . If you have a piano , and can do the sequences on different notes , or ...
... singing on the same vowel , but then you can break that and sing vowels of your choice . You will find it difficult to do with short vowels , but try sometimes . If you have a piano , and can do the sequences on different notes , or ...
146. oldal
... singing the vowel back to the individual . You must sing it absolutely precisely , so that you repeat the whole timbre of that person , and this makes a good listening exercise . ( iv ) This next exercise is valuable , and can be ...
... singing the vowel back to the individual . You must sing it absolutely precisely , so that you repeat the whole timbre of that person , and this makes a good listening exercise . ( iv ) This next exercise is valuable , and can be ...
Tartalomjegyzék
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Copyright | |
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Gyakori szavak és kifejezések
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Hivatkozások erre a könyvre
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Nincs elérhető előnézet - 2007 |