The Actor and the TextVirgin, 1992 - 303 oldal Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
Részletek a könyvből
1 - 3 találat összesen 42 találatból.
65. oldal
... Short lines . And this brings us nicely on to the other important variation to do with the quantity of a line , SHORT LINES : when there are fewer than five beats in a line in an otherwise regular passage . And I would say that there is ...
... Short lines . And this brings us nicely on to the other important variation to do with the quantity of a line , SHORT LINES : when there are fewer than five beats in a line in an otherwise regular passage . And I would say that there is ...
95. oldal
... short passages , one from L'Allegro and one from Il Penseroso . In each case there are four beats to the line , and the syllables in both vary between seven and eight . But notice how short and light the first passage is in comparison ...
... short passages , one from L'Allegro and one from Il Penseroso . In each case there are four beats to the line , and the syllables in both vary between seven and eight . But notice how short and light the first passage is in comparison ...
99. oldal
... short vowel , with a devoiced ' k ' at the end , but open so it has possibilities of length . ― ' he ' long vowel in a stressed position , open - ended , so you can sit on it . ' met ' short . End of line movement quick . - ' mad ' a short ...
... short vowel , with a devoiced ' k ' at the end , but open so it has possibilities of length . ― ' he ' long vowel in a stressed position , open - ended , so you can sit on it . ' met ' short . End of line movement quick . - ' mad ' a short ...
Tartalomjegyzék
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Copyright | |
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Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Hivatkozások erre a könyvre
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Nincs elérhető előnézet - 2007 |