The Actor and the TextVirgin, 1992 - 303 oldal Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
Részletek a könyvből
1 - 3 találat összesen 80 találatból.
151. oldal
... comes into play - which is maybe to do with childhood and it gives it a different urgency . Always be careful not to ... comes- sometimes you will not do it right , but that does not matter . The valuable thing is that you will hear ...
... comes into play - which is maybe to do with childhood and it gives it a different urgency . Always be careful not to ... comes- sometimes you will not do it right , but that does not matter . The valuable thing is that you will hear ...
157. oldal
... comes . The first exercise I feel to be perhaps the most important of all for it makes us attend to each word fully . In effect it is not really an exercise , rather an attitude to text which should always be part of our work . However ...
... comes . The first exercise I feel to be perhaps the most important of all for it makes us attend to each word fully . In effect it is not really an exercise , rather an attitude to text which should always be part of our work . However ...
183. oldal
... comes together . It is simply this : First get familiar with the sense of the speech you are going to use ; then get into quite a close group . The aim is to speak the speech through , one person only speaking at a time , but in any ...
... comes together . It is simply this : First get familiar with the sense of the speech you are going to use ; then get into quite a close group . The aim is to speak the speech through , one person only speaking at a time , but in any ...
Tartalomjegyzék
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Copyright | |
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Gyakori szavak és kifejezések
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Hivatkozások erre a könyvre
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Nincs elérhető előnézet - 2007 |