PROLOGUE. THE time has been when plays were not so plenty, What crowds of coxcombs, or what floods of fools. Still they proceed, and, at our charge, write worse, Good wits, forgive this liberty we take, To please and move has been our poet's theme, Then freely judge the scenes that shall ensue, DRAMATIS PERSONE. As originally acted at Lincoln's-inn Fields, 1697. SCENE I. A Room of State. The Curtain rising slowly to soft Music, discovers ALMERIA in Mourning, LEONORA waiting. ALMERIA rises and comes forward. Alm. MUSIC has charms to sooth a savage breast, To soften rocks, or bend a knotted oak. I've read that things inanimate have mov'd, And, as with living souls, have been inform'd, By magic numbers and persuasive sound. What then am I? Am I more senseless grown Than trees or flint? O, force of constant woe! "Tis not in harmony to calm my griefs. Anselmo sleeps, and is at peace; last night The silent tomb receiv'd the good old king; He and his sorrows now are safely lodg'd Within its cold, but hospitable bosom. Why am not I at peace? Leon. Dear madam, cease, Or moderate your grief; there is no cause Alm. No cause! Peace, peace! there is eternal cause And misery eternal will succeed. Your father kept in chains his fellow king: Leon. Love of my royal mistress gave me cause, He did endear himself to your affection, His most industrious goodness could invent; Alm. Why was I carried to Anselmo's court? Why not ill treated, like an enemy? For so my father would have us'd his child. O, Alphonso, Alphonso! Devouring seas have wash'd thee from my sight, No time shall rase thee from my memory; No, I will live to be thy monument: The cruel ocean is no more thy tomb; |