The Cambridge Introduction to Tragedy
Cambridge University Press, 2007. máj. 10. - 243 oldal
Tragedy is the art-form created to confront the most difficult experiences we face: death, loss, injustice, thwarted passion, despair. From ancient Greek theatre up to the most recent plays, playwrights have found, in tragic drama, a means to seek explanation for disaster. But tragedy is also a word we continually encounter in the media, to denote an event which is simply devastating in its emotional power. This introduction explores the relationship between tragic experience and tragic representation. After giving an overview of the tragic theatre canon - including chapters on the Greeks, Shakespeare, Ibsen, Chekhov, post-colonial drama, and Beckett - it also looks at the contribution which philosophers have brought to this subject, before ranging across other art-forms and areas of debate. The book is unique in its chronological range, and brings a wide spectrum of examples, from both literature and life, into the discussion of this emotional and frequently controversial subject.
Mit mondanak mások - Írjon ismertetőt
Nem találtunk ismertetőket a szokott helyeken.
Ibsen Strindberg Chekhov
25 American tragedy
Más kiadások - Összes megtekintése
absurdity according action actors Aeschylus aesthetic ancient Antigone appears arguably Aristotle Aristotle’s audience Beckett becomes belief characters chorus comedy conﬂict context Creon critics cruciﬁxion culture dead death deﬁnition depicts despair difﬁculty Dionysiac Dionysus divine dramatised emotions Estragon Eteocles ethical Euripides evil example experience fact fate father feeling ﬁction ﬁgure ﬁlm ﬁnal ﬁnd ﬁrst Geraint Lewis ghost God’s gods Greek tragedy guilt Hamlet Hedda Gabler Hegel human Ibsen’s illusion individual inﬂuence inthe justiﬁed Kierkegaard king King Lear Lear living Macbeth moral murder narrative nature Nietzsche Nietzsche’s Oedipus ofthe one’s Oresteia pain Pentheus performance Ph`edre photograph physical pity play play’s playwright plot political question Racine’s realisation redemption reﬂects religious ritual Romantic sacriﬁce says scene Seneca Shakespeare’s Shakespearean tragedy signiﬁcance society Sophocles speciﬁc stage story suffering theatre Thyestes torture tradition tragic drama tragic hero tragic sense trauma understanding violence witness women words Yoruba