Shakespearean Tragedy: Genre, Tradition, and Change in Antony and CleopatraFolger Books, 1984 - 309 oldal By showing us how Shakespeare's contemporaries were likely to "read" the presentation of human nature, which they saw as inherently self-deceiving, this critical inquiry enables us to unravel the complexities of Shakespeare's characterizations in a manner that will be invaluable to Shakespeare specialists, critical theorists, students, performers, and anyone who seeks an enhanced understanding of Shakespeare's tragedies and their characters. |
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Recognitions | 9 |
The Aesthetic Shape of Suffering 15 5555 | 17 |
The Human Figure on the Stage | 57 |
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answer Antony Antony and Cleopatra Antony's approach audience battle becomes beginning Book Caesar called cause century character Cleo Cleopatra comes complex concept course death described drama early Edited effect Egypt Egyptian emotion Enobarbus Eros ethical fact figures final follow Fortune friends give gods Hamlet hand hero human idea important interesting John kill kind King later Lear leave lives London look lord matter means merely messenger mind moral move nature never noble observes Octavius offers perhaps person play Plutarch political present Press Proculeius protagonist queen question reason Renaissance response Roman Rome scene seems sense Shakespeare soldier speak speech stage stand suggest sword symbol tells thee things Thomas thou thought tradition tragedy tragic trans Translated true understand University University Press wants wish writing