Re-takes: Postcoloniality And Foreign Film Languages

Első borító
U of Minnesota Press - 209 oldal
Exploring several dimensions of the problem of "film languages," this volume engages the complications inherent in the study of the "other" and investigates the intricate relationship between postcoloniality, national identity, ideology, and filmmaking. Author John Mowitt establishes how Eurocentrism sustains both the concept of the foreign language film and the flawed initiative of multiculturalism. Using bilingualism and the concept of foreign film language, Re-takes pushes film studies beyond both linguistics and psychoanalysis to resituate is within the networks of global cultural communication. Through close readings of the bilingual films of Senegalese filmmaker Sembene Ousmane and Bolivian filmmaker Jorge Sanjines, Mowitt articulates the poetics and politics of postcoloniality in the global cinematic field, and challenges film studies to reflect on the relation between its organizing analytical distinctions - national and foreign, textual and institutional - and its position within globalization. Examining how elements involved in bilingual films have implications for the way academic intellectuals classify and misappropriate cultural forms, Re-takes is a provocative intervention into ongoing discussions of the changing nature of film and media studies.

Részletek a könyvből

Kiválasztott oldalak

Tartalomjegyzék

1 The Return of Enunciation
1
2 Foreignness and Language in Western Cinema
45
Intermission
83
3 Ousmane Sembenes Xala
97
4 Jorge Sanjinéss El coraje del pueblo
133
Notes
175
Works Cited
195
Index
203
Copyright

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5. oldal - The cheap prices of its commodities are the heavy artillery with which it batters down all Chinese walls, with which it forces the barbarians' intensely obstinate hatred of foreigners to capitulate. It compels all nations, on pain of extinction, to adopt the bourgeois mode of production ; it compels them to introduce what it calls civilization into their midst, ie, to become bourgeois themselves. In one word, it creates a world after its own image.
5. oldal - Modern industry has established the world market, for which the discovery of America paved the way. This market has given an immense development to commerce, to navigation, to communication by land. This development has, in its turn, reacted on the extension of industry ; and in proportion as industry, commerce, navigation, railways, extended, in the same proportion the bourgeoisie developed, increased its capital, and pushed into the background every class handed down from the Middle Ages.
17. oldal - He then notes that, so delimited, historical utterance necessarily implies a contrasting "plane of discourse": Discourse [discours] must be understood in its widest sense: every utterance assuming a speaker and a hearer, and in the speaker, the intention of influencing the other in some way. It is...
25. oldal - The pact of interpretation is never simply an act of communication between the I and the You designated in the statement. The production of meaning requires that these two places be mobilized in the passage through a Third Space, which represents both the general conditions of language and the specific implication of the utterance in a performative and institutional strategy of which it cannot 'in itself be conscious.
183. oldal - You taught me language; and my profit on't Is, I know how to curse : The red plague rid you, For learning me your language ! Pro.
24. oldal - The concept of cultural difference focuses on the problem of the ambivalence of cultural authority; the attempt to dominate in the name of a cultural supremacy which is itself produced only in the moment of differentiation.
25. oldal - ... social function, but the structure of symbolization. It is this difference in the process of language that is crucial to the production of meaning and ensures, at the same time, that meaning is never simply mimetic and transparent The linguistic difference that informs any cultural performance is dramatized in the common semiotic account of the disjuncture between the subject of a proposition (enonce) and the subject of enunciation...
25. oldal - The enunciative process introduces a split in the performative present of cultural identification; a split between the traditional culturalist demand for a model, a tradition, a community, a stable system of reference...
18. oldal - I am not wherever I am the plaything of my thought; I think of what I am where I do not think to think.
59. oldal - The banquet invitation set forth in part: "If we producing workers, actors, directors, technicians, cinematographers and producing executives, who have the future progress of this great universal entertainment at heart, will now join unselfishly into one big concerted movement, we will be able to effectually accomplish those essential things which we have hitherto neglected. We can take aggressive action in meeting outside attacks that are unjust. We can promote harmony and solidarity among our membership...

A szerzőről

John Mowitt is professor of cultural studies and comparative literature at the University of Minnesota.  He is a senior editor of the journal Cultural Critique and the author of Text: The Genealogy of an Antidisciplinary Object and Percussion: Drumming, Beating, Striking.

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