 ... his form. For him, on the contrary, the hand, cut off from any voice, borne by a pure gesture of inscription (and not of expression), traces a field without origin - or which, at least, has no other origin than language itself, language which ceaselessly...  Reading in: Alice Munro’s Archives - 4. oldalszerző: JoAnn McCaig - 2002 - 193 oldalKorlátozott előnézet - Információ erről a könyvről
 | Stanley Corngold - 1986 - 314 oldal
...simultaneously with the text, is in no way equipped with a being preceding or exceeding the writing. . . . The hand, cut off from any voice, borne by a pure gesture...at least, has no other origin than language itself, language which ceaselessly calls into question all origins."6 The birth of the scriptor. of that writer... | |
 | Roland Barthes - 1987 - 386 oldal
...emphasize this delay and endlessly "elaborate" his form; for him, on the contrary, his hand, detached from any voice, borne by a pure gesture of inscription...expression), traces a field without origin — or at least with no origin but language itself, ie, the very thing which ceaselessly calls any origin... | |
 | Kaja Silverman - 1988 - 274 oldal
...predecessors, that his hand is slower than his passion ... for him, on the contrary, his hand, detached from any voice, borne by a pure gesture of inscription...expression), traces a field without origin — or at least with no origin but language itself, ie, the very thing which ceaselessly calls any origin... | |
 | Jay Clayton, Eric Rothstein - 1991 - 364 oldal
...a scribe through whom the multiplicity of anonymous texts can pass. For the "modern scriptor," "the hand, cut off from any voice, borne by a pure gesture...inscription (and not of expression), traces a field without origins—or which, at least, has no other origin than language itself, language which ceaselessly... | |
 | Jane Gaines - 1991 - 368 oldal
...do nothing more than "trace": "[F]or him, on the contrary, his hand, detached from any voice, born by a pure gesture of inscription (and not of expression), traces a field without origin — or at least with no origin but language itself, ie, the very thing which ceaselessly calls any origin... | |
 | Karl Simms - 1997 - 336 oldal
...necessity, he must emphasise this delay and indefinitely "polish" his form. For him, on the contrary, the hand, cut off from any voice, borne by a pure gesture...at least, has no other origin than language itself, language which ceaselessly calls into question all origins (Barthes 1977: 145-146). This is also the... | |
 | Karl Simms - 1997 - 336 oldal
...necessity, he must emphasise this delay and indefinitely "polish" his form. For him, on the contrary, the hand, cut off from any voice, borne by a pure gesture...inscription (and not of expression), traces a field without ongin - or which, at least, has no other origin than language itself, language which ceaselessly calls... | |
 | Martin Travers - 2001 - 372 oldal
...necessity, he must emphasize this delay and indefinitely 'polish' his form. For him, on the contrary, the hand, cut off from any voice, borne by a pure gesture...at least, has no other origin than language itself, language which ceaselessly calls into question all origins. We know now that a text is not a line of... | |
 | David Finkelstein, Alistair McCleery - 2002 - 404 oldal
...necessity, he must emphasize this delay and indefinitely 'polish' his form. For him, on the contrary, the hand, cut off from any voice, borne by a pure gesture...at least, has no other origin than language itself, language which ceaselessly calls into question all origins. We know now that a text is not a line of... | |
 | Judith Ryan, Alfred Thomas - 2003 - 252 oldal
...the "Author" and the modern notion of the "scriptor." For the modern scriptor, Barthes wrote, "the hand, cut off from any voice, borne by a pure gesture...at least, has no other origin than language itself, language which ceaselessly calls into question all origins."19 If we look at the first of the stanzas... | |
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