The Oxford History of Classical Reception in English Literature, 4. kötetDavid Hopkins, Charles Martindale, Norman Vance, Rita Copeland, Patrick Cheney, Jennifer Wallace, Philip R. Hardie Oxford University Press, 2012 - 746 oldal The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. This fourth volume, and second to appear in the series, covers the years 1790-1880 and explores romantic and Victorian receptions of the classics. |
Tartalomjegyzék
Chapter Introduction | 1 |
Classical Authors17901880 | 29 |
The principle of the daguerreotype Translation from the Classics | 57 |
Education and Reading | 79 |
Political Writing and Class | 103 |
Barbarism and Civilization Political Writing History and Empire | 131 |
American Literature and Classical Consciousness | 159 |
Myth and Religion | 185 |
The Unexpected Latinist Byron and the Roman Muse | 385 |
The Younger Romantics Leigh Hunt Keats and Shelley | 413 |
Elizabeth Barrett Browning | 449 |
Matthew Arnold | 471 |
Arthur Hugh Clough | 495 |
Translating Tragedy Robert Brownings Greek Decade | 509 |
Tennyson | 539 |
William Morris | 559 |
Art Aesthetics and Archaeological Poetics | 203 |
Greek under the trees Classical Reception and Gender | 243 |
The Novel | 279 |
Shakespearean Sophocles Rediscovering and Performing Greek Tragedy in the Nineteenth Century | 299 |
William Wordsworth | 325 |
Coleridge The Reception and Transmission of Classical Learning | 347 |
Walter Savage Landor and the Classics | 365 |
George Eliot | 579 |
Thomas Hardy | 601 |
Swinburne | 619 |
Towards the Fin de Siècle Walter Pater and John Addington Symonds | 643 |
| 669 | |
| 703 | |
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The Oxford History of Classical Reception in English Literature: Volume 4 ... Wallace Vance Nincs elérhető előnézet - 2020 |
Gyakori szavak és kifejezések
Aeneid Aeschylus aesthetic Alcestis allusion ancient Greece ancient world Antigone antiquity Aristophanes Arnold Athens Balaustion’s Barrett Browning beauty Blackwood’s British Brough Browning’s Byron Cambridge Catullus chapter Christian classical reception Clough Coleridge Coleridge’s contemporary critics culture drama edition Eliot Elizabeth Barrett Elizabeth Barrett Browning English epic essay Euripides George Eliot Georgics Greek tragedy Hardy Hardy’s Hellenism Heracles Homer Horace Horace’s Iliad imagination John Keats Keats’s Kenneth Haynes Landor language later Latin Letters literary literature Lucretius Macaulay Matthew Arnold Medea metre modern moral Morris’s myth mythology narrative nineteenth century novel Odes original Ovid Ovid’s Oxford pagan pastoral Pater period Plato play poem poet poet’s poetic poetry political Prometheus prose published readers Review Roman Rome Sappho scholar scholarship sculpture sense Shelley Shelley’s Sophocles story Swinburne Swinburne’s Tennyson theatre Thomas tion tradition translation verse Victorian Virgil vols volume William Winckelmann women Wordsworth’s writing