The Subject of Tragedy: Identity and Difference in Renaissance DramaRoutledge, 1991 - 253 oldal Taking the drama of the 16th and 17th centuries and a range of fictional and non-fictional texts, Belsey analyzes the differential identities of man and woman, and finds a modern meaning for subjectivity. |
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42. oldal
... soliloquy . The soliloquy , as Raymond Williams has pointed out , is the condition of the possibility of presenting on the stage a new conception of the free - standing individual ( Williams , 1981 : 142 ) . In conjunction with the more ...
... soliloquy . The soliloquy , as Raymond Williams has pointed out , is the condition of the possibility of presenting on the stage a new conception of the free - standing individual ( Williams , 1981 : 142 ) . In conjunction with the more ...
44. oldal
... soliloquies of Faustus the distinct voices of the allegorical tradition are clearly audible . In the following instance , though Faustus is alone and the speech is formally a soliloquy , it is as if the Bad Angel addresses him by name ...
... soliloquies of Faustus the distinct voices of the allegorical tradition are clearly audible . In the following instance , though Faustus is alone and the speech is formally a soliloquy , it is as if the Bad Angel addresses him by name ...
48. oldal
... soliloquy . The precariously unified protagonist of Renaissance drama is in practice marked by another division which points forwards to a fully - fledged humanism rather than backwards to the Middle Ages , and this is the source of the ...
... soliloquy . The precariously unified protagonist of Renaissance drama is in practice marked by another division which points forwards to a fully - fledged humanism rather than backwards to the Middle Ages , and this is the source of the ...
Más kiadások - Összes megtekintése
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutism absolutist Alice Arden's crime Antonio's Revenge Antony Arden Arden of Faversham audience authority autonomy become Bussy d'Ambois Caesar Castle of Perseverance Cleopatra commonwealth conflict death defined Devil difference discourse divorce Dod and Cleaver drama Duchess of Malfi effect emblematic empirical knowledge enforced marriage Everyman evidence evil father Faustus fiction freedom Griselda Hamlet heaven hell hero Hieronimo humanist husband ibid identify implies instance Jaffeir John Julius Caesar justice King liberal humanism London Mankind Mariam marriage marry meaning monarch moral murder narrative nature obedience offers patriarchal play political position precisely present revenge Revenger's Tragedy romantic love Sejanus sense seventeenth century sexuality signifying practice sixteenth social body soliloquy sovereign sovereignty Spanish Tragedy speak spectator speech stage struggle subject-position thou Tragedy Tragedy of Mariam tyranny unified Vice virtue Vittoria W. W. Greg wife William Shakespeare witch woman women worldly