The Subject of Tragedy: Identity and Difference in Renaissance DramaRoutledge, 1991 - 253 oldal Taking the drama of the 16th and 17th centuries and a range of fictional and non-fictional texts, Belsey analyzes the differential identities of man and woman, and finds a modern meaning for subjectivity. |
Részletek a könyvből
1 - 3 találat összesen 14 találatból.
91. oldal
... marry the daughter of his oldest enemy when she has saved the son's life ( I Act v ) ? Yes , because , as the play makes clear , the marriage will eventually reconcile the parties to the quarrel . Should a son in these circumstances ...
... marry the daughter of his oldest enemy when she has saved the son's life ( I Act v ) ? Yes , because , as the play makes clear , the marriage will eventually reconcile the parties to the quarrel . Should a son in these circumstances ...
203. oldal
... marry her to Ilford to save the Scarborrow fortunes . Deceived into believing that his wife is an heiress , Ilford curses and kicks her when she reveals the truth . She does not protest when he snatches the jewels she is wearing and ...
... marry her to Ilford to save the Scarborrow fortunes . Deceived into believing that his wife is an heiress , Ilford curses and kicks her when she reveals the truth . She does not protest when he snatches the jewels she is wearing and ...
210. oldal
... marry him whose wife I am./Death shall not separate us ' ( v . iii . 66-7 ) . Her death has no visible external cause : she dies of a broken heart . Love , life and marriage have become in effect synonymous , all three centred in the ...
... marry him whose wife I am./Death shall not separate us ' ( v . iii . 66-7 ) . Her death has no visible external cause : she dies of a broken heart . Love , life and marriage have become in effect synonymous , all three centred in the ...
Más kiadások - Összes megtekintése
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutism absolutist Alice Arden's crime Antonio's Revenge Antony Arden Arden of Faversham audience authority autonomy become Bussy d'Ambois Caesar Castle of Perseverance Cleopatra commonwealth conflict death defined Devil difference discourse divorce Dod and Cleaver drama Duchess of Malfi effect emblematic empirical knowledge enforced marriage Everyman evidence evil father Faustus fiction freedom Griselda Hamlet heaven hell hero Hieronimo humanist husband ibid identify implies instance Jaffeir John Julius Caesar justice King liberal humanism London Mankind Mariam marriage marry meaning monarch moral murder narrative nature obedience offers patriarchal play political position precisely present revenge Revenger's Tragedy romantic love Sejanus sense seventeenth century sexuality signifying practice sixteenth social body soliloquy sovereign sovereignty Spanish Tragedy speak spectator speech stage struggle subject-position thou Tragedy Tragedy of Mariam tyranny unified Vice virtue Vittoria W. W. Greg wife William Shakespeare witch woman women worldly