The Subject of Tragedy: Identity and Difference in Renaissance DramaRoutledge, 1991 - 253 oldal Taking the drama of the 16th and 17th centuries and a range of fictional and non-fictional texts, Belsey analyzes the differential identities of man and woman, and finds a modern meaning for subjectivity. |
Részletek a könyvből
1 - 3 találat összesen 31 találatból.
24. oldal
... action on the whole took place on the forestage in front of the proscenium arch , and there was some degree of uncertainty about the precise relationship between the actor and the scenes ( Southern , 1976 : 93 ) . Both stage and ...
... action on the whole took place on the forestage in front of the proscenium arch , and there was some degree of uncertainty about the precise relationship between the actor and the scenes ( Southern , 1976 : 93 ) . Both stage and ...
31. oldal
... action of the play is simultaneously intelligible on two distinct planes . In his opening speech Vindice addresses ... actions , since he too , as a revenger , is now a murderer . At the end of the play Antonio , newly installed by ...
... action of the play is simultaneously intelligible on two distinct planes . In his opening speech Vindice addresses ... actions , since he too , as a revenger , is now a murderer . At the end of the play Antonio , newly installed by ...
78. oldal
... actions . In the world of empirical knowledge , in relation to the knowledge he possesses , Hieronimo is a speaking subject . In the world of discursive knowledge , where truth and action are authorized outside the self , Hieronimo has ...
... actions . In the world of empirical knowledge , in relation to the knowledge he possesses , Hieronimo is a speaking subject . In the world of discursive knowledge , where truth and action are authorized outside the self , Hieronimo has ...
Más kiadások - Összes megtekintése
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutism absolutist Alice Arden's crime Antonio's Revenge Antony Arden Arden of Faversham audience authority autonomy become Bussy d'Ambois Caesar Castle of Perseverance Cleopatra commonwealth conflict death defined Devil difference discourse divorce Dod and Cleaver drama Duchess of Malfi effect emblematic empirical knowledge enforced marriage Everyman evidence evil father Faustus fiction freedom Griselda Hamlet heaven hell hero Hieronimo humanist husband ibid identify implies instance Jaffeir John Julius Caesar justice King liberal humanism London Mankind Mariam marriage marry meaning monarch moral murder narrative nature obedience offers patriarchal play political position precisely present revenge Revenger's Tragedy romantic love Sejanus sense seventeenth century sexuality signifying practice sixteenth social body soliloquy sovereign sovereignty Spanish Tragedy speak spectator speech stage struggle subject-position thou Tragedy Tragedy of Mariam tyranny unified Vice virtue Vittoria W. W. Greg wife William Shakespeare witch woman women worldly