The Subject of Tragedy: Identity and Difference in Renaissance DramaTaking the drama of the 16th and 17th centuries and a range of fictional and non-fictional texts, Belsey analyzes the differential identities of man and woman, and finds a modern meaning for subjectivity. |
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The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutist action Alice appears Arden audience authority become body century choice claim clear common concern condition consequence constitute continuity course crime death defined difference discourse drama effect equal evidence evil father Faustus fiction figure finally freedom give grounds guarantee Hamlet hand heaven hell human humanist husband identify implies individual instance John justice kills King knowledge leads less liberal liberal humanism London Mankind marriage marry meaning mind moral mother murder nature never objects offers period person play political position possible practice precisely present problem produced question relations revenge seems sense seventeenth century sexuality shows signifying single social soliloquy sovereign speak specific speech stage story struggle things Tragedy true truth tyranny unified Vice virtue wife woman women
Bibliográfiai információk
| Cím | The Subject of Tragedy: Identity and Difference in Renaissance Drama |
| Szerző | Catherine Belsey |
| Kiadás | újranyomás, átdolgozott |
| Kiadó | Routledge, 1991 |
| ISBN | 0415065828, 9780415065825 |
| Terjedelem | 253 oldal |
| Idézet exportálása | BiBTeX EndNote RefMan |