Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 57. kötetGale Research Company, 1984 |
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118. oldal
... thou naughty varlet , tell me where hast thou been this month ? " ( 11. 473-475 ) . The shift is deliberate and effective . Its friendly , teasing informality places Hal's offense precisely in the light in which Falstaff wants it to be ...
... thou naughty varlet , tell me where hast thou been this month ? " ( 11. 473-475 ) . The shift is deliberate and effective . Its friendly , teasing informality places Hal's offense precisely in the light in which Falstaff wants it to be ...
150. oldal
... thou hast call'd her to a reckoning many a time and oft . Prince . Did I ever call thee to pay thy part ? Falstaff . No ; I'll give thee thy due , thou hast paid all there . ( 1.2.46-51 ) At the end of the second tavern scene , when Hal ...
... thou hast call'd her to a reckoning many a time and oft . Prince . Did I ever call thee to pay thy part ? Falstaff . No ; I'll give thee thy due , thou hast paid all there . ( 1.2.46-51 ) At the end of the second tavern scene , when Hal ...
331. oldal
... thou been preserv'd ? where liv'd ? how found Thy father's court ? for thou shalt hear that I , Knowing by Paulina that the oracle Gave hope thou wast in being , have preserv'd Myself to see the issue . ( 5.3.123-28 ) Hermione's ...
... thou been preserv'd ? where liv'd ? how found Thy father's court ? for thou shalt hear that I , Knowing by Paulina that the oracle Gave hope thou wast in being , have preserv'd Myself to see the issue . ( 5.3.123-28 ) Hermione's ...
Tartalomjegyzék
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York