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58. oldal
Theatre , as is obvious if we synchronise our looking and our thinking , is the art of non - deceptive disguise and of ... Yet the obviousness of this point and of its corollary ( that theatre is always theatrical ) creates resistance ...
Theatre , as is obvious if we synchronise our looking and our thinking , is the art of non - deceptive disguise and of ... Yet the obviousness of this point and of its corollary ( that theatre is always theatrical ) creates resistance ...
60. oldal
listen to ( to overhear ) his moralised comments on what , emphasising the theatrical metaphor , Duke Senior terms a “ spectacle " . And Jaques ' moralised comments , which consist of finding human analogies for the animal activity that ...
listen to ( to overhear ) his moralised comments on what , emphasising the theatrical metaphor , Duke Senior terms a “ spectacle " . And Jaques ' moralised comments , which consist of finding human analogies for the animal activity that ...
372. oldal
concerns the animating principle of human recognition of the presence of the other , a principle which Orpheus doubts , but Leontes by 5.3 believes . critically the theatrical reading now so dominant that it simply goes without saying ...
concerns the animating principle of human recognition of the presence of the other , a principle which Orpheus doubts , but Leontes by 5.3 believes . critically the theatrical reading now so dominant that it simply goes without saying ...
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Tartalomjegyzék
As You Like | 1 |
Henry IV Parts 1 and 2 | 88 |
Macbeth | 188 |
Copyright | |
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action appears argues audience authority becomes begins body character comedy course critics culture death desire discussion disguise early effect Elizabethan England English essay evil fact Falstaff father fear female figure final gender gives Hal's hand Henry Henry IV Hermione human imagination John kill kind King Lady Macbeth language Leontes less lines live London Macbeth Macduff male means moral murder nature never once Orlando pastoral performance perhaps person play play's political possible present Press Prince question reading reference reformation relation Renaissance represents Richard role Rosalind scene seems sense sexual Shakespeare social speak speech stage statue story Studies suggests Tale tells theatrical things thou thought tion tragedy true turn understanding University voice wife Winter's Tale witches woman women York