Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 57. kötetGale Research Company, 1984 |
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227. oldal
... story therein might have served as a vehicle by which to displace time's " it was " with the dramatic present . But what in Makbeth's life story sug- gested to Shakespeare a possibility to assert his own " I am ? " The answer is not ...
... story therein might have served as a vehicle by which to displace time's " it was " with the dramatic present . But what in Makbeth's life story sug- gested to Shakespeare a possibility to assert his own " I am ? " The answer is not ...
321. oldal
... story's very medium - whether painting , poetry , music , or drama . Such self - conscious visitations prepare us for Shakespeare's much noted - and celebrated effort to turn Ovid's story of Pygmalion into one about the transforming ...
... story's very medium - whether painting , poetry , music , or drama . Such self - conscious visitations prepare us for Shakespeare's much noted - and celebrated effort to turn Ovid's story of Pygmalion into one about the transforming ...
331. oldal
... story into Pygmalion's . Repentant though he may be , Leontes still reads Hermione as a version of himself : " does not the stone rebuke me / For being more stone than it ? " ( 5.3.37- 38 ) . To Leontes even her stoniness is not " hers ...
... story into Pygmalion's . Repentant though he may be , Leontes still reads Hermione as a version of himself : " does not the stone rebuke me / For being more stone than it ? " ( 5.3.37- 38 ) . To Leontes even her stoniness is not " hers ...
Tartalomjegyzék
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York