Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 57. kötetGale Research Company, 1984 |
Részletek a könyvből
1 - 3 találat összesen 89 találatból.
384. oldal
... figure 22 : 339 objectification of 43 : 329 as sympathetic figure 3 : 557 , 560 , 604 , 609 ; 18 : 284 , 423 ; 22 : 58 ; 27 : 396 , 400 ; 43 : 305 Dark Lady Sonnets 10 : 161 , 167 , 176 , 216 , 217 , 218 , 226 , 240 , 302 , 342 , 377 ...
... figure 22 : 339 objectification of 43 : 329 as sympathetic figure 3 : 557 , 560 , 604 , 609 ; 18 : 284 , 423 ; 22 : 58 ; 27 : 396 , 400 ; 43 : 305 Dark Lady Sonnets 10 : 161 , 167 , 176 , 216 , 217 , 218 , 226 , 240 , 302 , 342 , 377 ...
388. oldal
... figure 3 : 229 , 269 , 275 , 289 , 318 self - awareness 3 : 312 , 329 , 338 ; 16 : 317 ; 44 : 361 ; 57 : 256 as sympathetic figure 3 : 229 , 306 , 314 , 338 ; 29 : 139 , 152 ; 44 : 269 , 306 , 337 as tragic hero 44 : 269 , 306 , 315 ...
... figure 3 : 229 , 269 , 275 , 289 , 318 self - awareness 3 : 312 , 329 , 338 ; 16 : 317 ; 44 : 361 ; 57 : 256 as sympathetic figure 3 : 229 , 306 , 314 , 338 ; 29 : 139 , 152 ; 44 : 269 , 306 , 337 as tragic hero 44 : 269 , 306 , 315 ...
432. oldal
... figure 22 : 339 objectification of 43 : 329 as sympathetic figure 3 : 557 , 560 , 604 , 609 ; 18 : 284 , 423 ; 22 : 58 ; 27 : 396 , 400 ; 43 : 305 cynicism 43 : 298 desire 43 : 317 , 329 , 340 disillusioned or cynical tone 3 : 544 , 548 ...
... figure 22 : 339 objectification of 43 : 329 as sympathetic figure 3 : 557 , 560 , 604 , 609 ; 18 : 284 , 423 ; 22 : 58 ; 27 : 396 , 400 ; 43 : 305 cynicism 43 : 298 desire 43 : 317 , 329 , 340 disillusioned or cynical tone 3 : 544 , 548 ...
Tartalomjegyzék
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York