Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 57. kötetGale Research Company, 1984 |
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24. oldal
... character or do they imitate it , standing apart from it a little so that we can see the gap between the actor and the role ? Modern Western actors , for the most part , are locked into an ideology of ' becoming ' the character , an ...
... character or do they imitate it , standing apart from it a little so that we can see the gap between the actor and the role ? Modern Western actors , for the most part , are locked into an ideology of ' becoming ' the character , an ...
62. oldal
... character who takes no other part in the action . Epilogues spoken by one of a play's characters , who steps forward out of the surrounding ac- tion in order to do so , are still more unusual , and the epilogue to As You Like It is ...
... character who takes no other part in the action . Epilogues spoken by one of a play's characters , who steps forward out of the surrounding ac- tion in order to do so , are still more unusual , and the epilogue to As You Like It is ...
88. oldal
... characters , while in Part II the role taking becomes more subtle . Brad- brook suggests that this evolution of character between the two parts of Henry IV displays Shakespeare's maturity as a playwright , allowing him to explore the ...
... characters , while in Part II the role taking becomes more subtle . Brad- brook suggests that this evolution of character between the two parts of Henry IV displays Shakespeare's maturity as a playwright , allowing him to explore the ...
Tartalomjegyzék
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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