Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 57. kötetGale Research Company, 1984 |
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243. oldal
... authority , the source of lineage and honor , the giver of name and gift ; but he is also the source of all ... authority ? Is their strength a consequence of his weakness ? ( This is the configuration of Cymbeline , where the power of ...
... authority , the source of lineage and honor , the giver of name and gift ; but he is also the source of all ... authority ? Is their strength a consequence of his weakness ? ( This is the configuration of Cymbeline , where the power of ...
252. oldal
... Authority and Progenitorship , " American Imago 40 ( 1983 ) : 385-95 . My reading differs from these Oedipal readings mainly in suggesting that the play's mothers acquire their power because the father's protective masculine authority ...
... Authority and Progenitorship , " American Imago 40 ( 1983 ) : 385-95 . My reading differs from these Oedipal readings mainly in suggesting that the play's mothers acquire their power because the father's protective masculine authority ...
307. oldal
... authority , issues of increasing public anxiety as the seventeenth century wore on , could be creatively explored . That is , the threat posed by the desire and authority of real women is discussed in terms of the late queen so that it ...
... authority , issues of increasing public anxiety as the seventeenth century wore on , could be creatively explored . That is , the threat posed by the desire and authority of real women is discussed in terms of the late queen so that it ...
Tartalomjegyzék
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York