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24. oldal
the question of what it meant to an Elizabethan audience to see boys playing the roles of women . For modern playgoers it is largely a dead issue . . . ; since the midseventeenth century the roles of Rosalind and Celia , Phebe and ...
the question of what it meant to an Elizabethan audience to see boys playing the roles of women . For modern playgoers it is largely a dead issue . . . ; since the midseventeenth century the roles of Rosalind and Celia , Phebe and ...
168. oldal
eran tenet attributed by Elizabethan Protestants to the Lollards — that undemonstrated faith alone can save him near the end of a hedonistic life void of good deeds . himself as one of “ Diana's foresters , " a minion “ of the moon ...
eran tenet attributed by Elizabethan Protestants to the Lollards — that undemonstrated faith alone can save him near the end of a hedonistic life void of good deeds . himself as one of “ Diana's foresters , " a minion “ of the moon ...
398. oldal
... 368 , 377 Elizabethan dramatic conventions Cymbeline 4 : 53 , 124 Henry VINI 24 : 155 ; 56 : 196 , 248 Elizabethan ... 56 : 162 , 180 Elizabethan love poetry Love's Labour's Lost 38 : 232 Elizabethan poetics , influence of Romeo and ...
... 368 , 377 Elizabethan dramatic conventions Cymbeline 4 : 53 , 124 Henry VINI 24 : 155 ; 56 : 196 , 248 Elizabethan ... 56 : 162 , 180 Elizabethan love poetry Love's Labour's Lost 38 : 232 Elizabethan poetics , influence of Romeo and ...
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As You Like | 1 |
Henry IV Parts 1 and 2 | 88 |
Macbeth | 188 |
Copyright | |
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action appears argues audience authority becomes begins body character comedy course critics culture death desire discussion disguise early effect Elizabethan England English essay evil fact Falstaff father fear female figure final gender gives Hal's hand Henry Henry IV Hermione human imagination John kill kind King Lady Macbeth language Leontes less lines live London Macbeth Macduff male means moral murder nature never once Orlando pastoral performance perhaps person play play's political possible present Press Prince question reading reference reformation relation Renaissance represents Richard role Rosalind scene seems sense sexual Shakespeare social speak speech stage statue story Studies suggests Tale tells theatrical things thou thought tion tragedy true turn understanding University voice wife Winter's Tale witches woman women York