Rilke, Modernism and Poetic TraditionCambridge University Press, 1999 - 256 oldal Judith Ryan traces Rilke's development from aestheticism to modernism, paying special attention to the way his work engages with other poetry and visual arts. Rilke is now the most widely-read and influential German-language poet, and this study is full of new discoveries about his innovative and often profoundly moving poems. |
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abstract acrobats ancient angel Baudelaire become bird breath Charles Baudelaire concept creative daguerreotype dead death dramatic monologue Duino Elegies early Echo Egyptian elegiac essay Fifth Elegy figure Frankfurt future beloved Gedichte German Goethe Goethe's hieroglyphs Hölderlin's human idea imagery imagines Insel inspiration Jacob Steiner Kassner kind king's heart Laments landscape language Leipzig linked London Lou Andreas-Salomé lovers Mallarmé's Malte Laurids Brigge Mausoleum metaphor mirror sonnet mirror-space modern modernist monument motif Munich Narcissus nature notion Novalis Oeuvres original Orphic Orphism Outset painting paradoxical Paris passage Pearls roll Picasso's poem's poet poet's poetic poetry Prospero Rachilde Rainer Maria Rilke reality realm recalls reversal reworking Rilke's poem Rilke's sonnet seems silence smile song Sonnets to Orpheus Soul in Space speaker Spirit Ariel Stefan George suggests Symbolist T. S. Eliot temple Tenth Elegy tercet tomb tradition transformation University Press Valéry Valéry's voice Werke