The Subject of Tragedy (Routledge Revivals): Identity and Difference in Renaissance DramaRoutledge, 2014. jún. 17. - 270 oldal First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related. |
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. oldal
... sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a ...
... sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a ...
ix. oldal
... sixteenth and seventeenth centuries. The human subject, the self, is the central figure in the drama which is liberal humanism, the consensual orthodoxy 0f the west. The subject is to be found at the heart of our political institutions ...
... sixteenth and seventeenth centuries. The human subject, the self, is the central figure in the drama which is liberal humanism, the consensual orthodoxy 0f the west. The subject is to be found at the heart of our political institutions ...
x. oldal
... sixteenth century to the present, is about what it is to be a subject — in the process of making decisions, taking action, falling in love, being a parent. . .. Fictional texts also address themselves to readers or audiences, offering ...
... sixteenth century to the present, is about what it is to be a subject — in the process of making decisions, taking action, falling in love, being a parent. . .. Fictional texts also address themselves to readers or audiences, offering ...
xi. oldal
... sixteenth and seventeenth centuries when he supervised my research at the University of Warwick. He is not to blame for the consequences. In the course of writing the book I have incurred debts to Paul Atkinson, Simon Barker, Ying Chang ...
... sixteenth and seventeenth centuries when he supervised my research at the University of Warwick. He is not to blame for the consequences. In the course of writing the book I have incurred debts to Paul Atkinson, Simon Barker, Ying Chang ...
4. oldal
... sixteenth and seventeenth centuries the eventual construction of an order of subjectivity which is recognizany modern. The assumption I make is that fiction, like architecture and painting, is a signifying practice which can be ...
... sixteenth and seventeenth centuries the eventual construction of an order of subjectivity which is recognizany modern. The assumption I make is that fiction, like architecture and painting, is a signifying practice which can be ...
Más kiadások - Összes megtekintése
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutism absolutist Alice’s Antony Antony and Cleopatra Arden Arden of Faversham audience authority autonomy become Bracciano Caesar Castle of Perseverance classic realism Cleopatra commonwealth confined conflict death defined definition Devil difference difficulty discourse discursive knowledge divorce Dod and Cleaver drama effect emblematic empirical knowledge enforced marriage Everyman evidence evil father Faustus fiction figure final finally find first freedom God’s Griselda Hamlet heaven hell hero Hieronimo humanist husband ibid identifies implies instance justice king liberal humanism Mankind Mariam marriage marry meaning monarch moral murder narrative nature obedience offers patriarchal play political present reflection Renaissance revenge revenge plays romantic love Sejanus sense seventeenth century sexuality signified signifying practice sixteenth social body soliloquy sovereign sovereignty Spanish Tragedy speak specific spectator speech stage struggle subject of liberal thou Tragedy Tragedy of Mariam tyranny unified Vice virtue Vittoria wife woman women worldly